For a long time I gave away a short story to new mailing list subscribers, but now I’ve upped the ante and produced HOW IT WORKS – a tongue in cheek guide to the inner workings of a typical horror author (me!). The book is available in Kindle and ePub formats, and also as a pdf. As well as a biography, frequently asked questions, and a guide to all my current novels, it also contains SCRATCH – the dystopian zombie novella I wrote for Infected Books’ YEAR OF THE ZOMBIE series.
The ebook is designed as a primer for people who are new to my work, so feel free to pass it on to anyone you think might be interested. Chances are if you’re reading this you’re already well versed in my work, but as the title of this post implies, I’m on the lookout for fresh blood…!
Here’s a film recommendation I’ve waited a long time to share. Before I tell you why you should see WELCOME TO ESSEX, let’s wind the clock back a few years…
I’ve mentioned Ryan J. Fleming on this site several times previously. As well as being a connoisseur of all things post-apocalyptic (a number of the film releases I’ve written about here have been direct recommendations from Ryan), he’s also a roving reporter, a long-time member of MOODY’S SURVIVORS, and he even had a starring role as a featured zombie in AUTUMN: AFTERMATH. We can now add film director to that list.
It feels like decades, but it can only have been a few years ago when Ryan told me he was making a film. In this business it’s often hard to have a conversation with anyone who isn’t desperate to tell you they’re writing a book, editing an anthology, working on a screenplay, or directing their first movie. Much of the time these comments are just pipe-dreams or wishful thinking. In Ryan’s case, however, it happened to be true.
Over the following years, he told me about assembling a crowd of more than a thousand zombie extras for a scene in Brentwood High Street, about naming a character (actually a character’s husband) after me (no doubt as payback for AFTERMATH), and about Russell Brand appearing in the film. In 2013 (I think), attendees at the HORROR IN THE EAST convention in Lowestoft actually saw some footage, and we realised he wasn’t just making it all up.
Fast-forward five years, and Ryan’s debut feature – WELCOME TO ESSEX – is finally out on DVD. I’ve had the pleasure of watching it, and I can tell you it was definitely worth the wait. I’m not going to review it here, I’m just going to ask you to support Ryan and his team and pick up a copy. Here’s the customary synopsis and trailer:
Overnight, the United Kingdom was consumed by an epidemic of terrifying proportions. The majority of the population were killed in a matter of hours as millions of recently-dead people returned to life and began to attack and kill the living. The disaster spread so rapidly that the government had no time to control the situation. The order to evacuate England was given. But it was too late. Now, the following day, a small group of mismatched survivors find themselves trapped in the famous town of Brentwood, hunted by large hordes of fast-moving corpses. They must learn to work together and reach the last-known point of rescue, Southend-on-Sea, or face certain death. Or worse.
What I love most about WELCOME TO ESSEX is the fact that it exists. The fact that a gent who passionately loves the post-apocalyptic genre can have the desire to make a movie, and the determination and conviction to make it happen. And on such a scale… this film looks the business and everything Ryan promised eventually appeared on screen, including a thousand zombie extras and Russell Brand. Okay, so it’s not the most original horror movie you’ll see this year, but it’s funny (often very, very funny), technically impressive, and filled with more passion and heart than a hundred Hollywood blockbusters combined. Congratulations to Ryan, the team at Smoking Monkey Productions, and anyone involved in the film in any way, shape or form.
I feel duty bound to draw your attention to CARGO, a top-notch zombie movie which premiered on Netflix this last week. I’ve had my eye on this one for a long time, primarily because of its source material. The film’s based on a stunning short movie which took the zombie-loving world by storm back in 2013. You can watch it here, and I recommend you do. No worries about spoiling the feature length version, because they’re two very different beasts as I’ll explain.
In a desperate bid to outrun a violent pandemic, Andy and Kay have holed up on a houseboat with their one-year-old daughter, Rosie. Their protected river existence is shattered by a violent attack, which sees Kay tragically die and Andy infected. Left with only 48 hours before he transforms into one of the creatures they have fought so long to evade, Andy sets out on a precarious journey to find a new guardian for his child. A flourishing Aboriginal tribe are Rosie’s best chance of survival – but with their merciless attitude toward the afflicted, they also pose a grave threat. A young Indigenous girl becomes Andy’s only chance of safe passage into this sacred community. But unfortunately the girl has no desire to return to her people – she is on a quest to cure her own infected father by returning his stolen soul. Each in their own way is seeking salvation… but they will need to work together if they hope to achieve it.
Hello. Long time no speak. I’ve had my head down writing the final HATER book – CHOKEHOLD – but I’m briefly coming up for air to bring you an important update about ALL ROADS END HERE.
On the whole, I’m pleased with how ONE OF US WILL BE DEAD BY MORNING has been received since its release last December. It’s still getting plenty of good press. Just this month, STARBURST magazine called it “a gripping, visceral read, glistening with gore and studded with extreme brutality and with a relentlessly downbeat tone which will please lovers of hard-edged apocalyptic fiction”, whilst SFBOOK REVIEW said it was “clever, convincing, claustrophobic fiction”. Just yesterday, GEEK SYNDICATE published their verdict, with Ian Simpson noting that by the end of the book “you’re likely to be standing in a pile of gore, or not standing at all.”
My publisher has been looking again at how we publish and market the second HATER trilogy, and we’ve decided that these are books which better suit a paperback release. ONE OF US… was hardcover only and is likely to stay that way until we’ve shifted more copies, but ALL ROADS END HERE and CHOKEHOLD will be released as paperbacks from the get-go.
In the case of ALL ROADS END HERE, this means that publication is going to be delayed, unfortunately. The book will now be released on February 12, 2019.
Apologies for any inconvenience or disappointment. This is definitely the right approach for the series as a whole and I cannot wait for you to read the remaining books. In the meantime, can I suggest you re-read DOG BLOOD? You’ll be catching up with a few familiar faces in some unexpected places in ALL ROADS END HERE…
And again, I’m sorry you’ll have to wait to read the new book. Rest assured I’m working on something to cushion the blow, and I hope to announce an upcoming release for 2018 very soon.
I am working hard to become a bona fide creature of horror. The picture below, ladies and gentleman, is a genuine attempt at a smile. I have developed Bell’s Palsy, and half of my face is currently paralysed. Like a half-hearted version of Two-Face from Batman, I can currently only raise one eyebrow and smile with half my mouth, but I can fix you with a hell of a withering stare from my (genuinely) unblinking left eye. I look an absolute bloody fright. Perfect horror movie fodder.
I’m currently in the middle of writing and planning and editing so haven’t had much to post about for a couple of weeks. I thought I’d take a moment to a). remind you all I’m still alive, and b). give you opportunity to laugh at my (hopefully temporarily) distorted mush. If the books dry up, I could always run away and join a freak show.
Thanks to This is Horror for a great review of ONE OF US WILL BE DEAD BY MORNING. Rich Cosgrove was kind enough to write that “while sharing DNA with John Carpenter’s seminalThe Thing in that it’s effectively a single location exercise in paranoia and mistrust, (One of Us…) is very much its own tale.
One Of Us Will Be Dead By Morning proves once again that David Moody is a significant talent in the UK horror scene, delivering a sharp, insightful study on what it means to feel isolated, not only geographically but socially, and reminding us how uncomfortably quick we are to mistrust and turn on our fellow human beings. If you even remotely like tales of societal breakdown or post-apocalyptic fiction, this book is essential reading.”