All Roads End Here – out now

ALL ROADS END HERE hits the shelves today. This is where the first and second HATER trilogies begin to collide. See how many returning characters you can spot…

The shit’s about to hit the fan, and this time Matthew Dunne is right at the epicentre.

PRINT  |  AUDIO  |  EBOOK  |  SIGNED

My return to AUTUMN

As you may have heard me say previously, I’m planning a return to the world of AUTUMN next year with two new novels. My aim is that one, if not both of them will be released around October 2020 – the 10 year anniversary of the mass-market release of the first book through St Martin’s Press. There’s a lot of work to be done yet, though, so don’t hold me to that release date. You know how reliable I am with deadlines…

In readiness for the new books I’m planning a number of initiatives to raise the profile of the original novels again, and the first part of that project is now complete. Last week saw the Infected Books re-release of the German language editions of the novels, originally published by Michael Krug of Otherworldverlag. Here are the new editions. I’m very happy with how they’ve turned out.

The books are available now in print and as ebooks from Amazon.de. As you can see, the entire original series is also available as a single German-language ebook for the first time. Huge thanks to Michael Krug for helping me make this happen, and for Craig Paton who allowed me to use some of his original Amy Steadman AUTUMN artwork for the covers.

More AUTUMN-related news coming soon.

Pan’s Labyrinth

If, when my time is up, I’m ever asked to look back and recall pivotal moments in my life, the key writing-related moment I’d cite involves PAN’S LABYRINTH. It was 2006, and I’d just published HATER independently through Infected Books. The release had gone pretty well, and I was happy with how the book had been received. Then, out of the blue, I received an email from a production company in Los Angeles, enquiring about the availability of the film rights. Within a couple of weeks I was speaking to Mark Johnson (who went on to produce BREAKING BAD) about his vision for a film version of HATER. He asked me if I’d seen PAN’S LABYRINTH. I told him I had, and that I thought it was incredible. He said that was a relief, because he was hoping to get Guillermo del Toro to direct HATER.

Of course, as is often the way, things didn’t work out as planned. Del Toro became involved in Peter Jackson’s adaptation of THE HOBBIT and switched roles to produce HATER, only for the project to stall at a later stage. Even now, more than a decade later, I still get goosebumps thinking about how close we came to a del Toro adaptation of one of my books. And I know this post will inevitably result in folks asking questions about the current position of the HATER movie, so I’ll give you my stock answer: I had a meeting with the producer a week or so ago and the project is still very much alive and kicking. The script is in great shape and we’re just waiting for the stars to align. I’ll share more news the very second I’m able to.

Back to PAN’S LABYRINTH. It’s an astonishing film which rightly deserved the critical acclaim it received on release. Now, many years later, del Toro and author Cornelia Funke have adapted the story into a novel and, thanks to the publisher, I was recently able to read a copy. When I heard about the book I was concerned, and I struggled to understand why the story needed to be retold. Having read it, though, I totally get it. Remind yourself of the beauty of the film then read on below for my thoughts.

It’s 1944 and the Allies have invaded Nazi-held Europe. In Spain, a troop of soldiers are sent to a remote forest to flush out the rebels. They are led by Capitan Vidal, a murdering sadist, and with him are his new wife Carmen and her daughter from a previous marriage, 11-year-old Ofelia. Ofelia witnesses her stepfather’s sadistic brutality and is drawn into Pan’s Labyrinth, a magical world of mythical beings.

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Tim Lebbon’s THE SILENCE

I’m sure you know Tim. He’s a very prolific, very approachable writer whose written many original novels as well as TV and movie tie-in books (including STAR WARS, ALIEN and FIREFLY). I’d known him for a while through social media then met him in person for the first time at a horror convention in Birmingham in February last year. We were table-neighbours for a very enjoyable weekend and, as is the done thing, we book-swapped at the end of the event. He went home with a copy of HATER, and I chose THE SILENCE.

I’d long known that a film adaptation of Tim’s book was in development, and we talked quite a bit about it over the weekend. Fast-forward a few weeks and I was on holiday. I devoured THE SILENCE (and thoroughly enjoyed it) in the space of a few short hours at the poolside. I was really interested to see how the film adaptation stacked up. Jump forward in time again until April this year, and THE SILENCE appeared on NETFLIX accompanied by a huge wave of publicity.

I’ve been stung by having one of my books adapted into a less-than-satisfactory movie, and I’m always nervous for fellow writers I know when films of their works are in the pipeline. So how did THE SILENCE stack up?

When the world is under attack from terrifying creatures who hunt their human prey by sound, 16-year old Ally Andrews (Kiernan Shipka), who lost her hearing at 13, and her family seek refuge in a remote haven.

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Advance copies of Chokehold are in!

It’s always a thrill to hold the first print copies of a book, and this one is especially cool. CHOKEHOLD is the absolute final HATER novel. It’s a sequel to both DOG BLOOD and ALL ROADS END HERE, and a prequel to THEM OR US. Oh, and it’s a bloody, violent, brutal (and surprisingly uplifting) story. Copies will be on their way to reviewers shortly. You can pre-order from Amazon, Barnes & Noble, the Book Depository and all the other usual sources now. The book is published by St Martin’s Press and it hits the shelves on 19 November.