Happy New Year! I hope you enjoyed the holidays. I’ve a huge amount planned for 2014, lots to get through, so I thought I’d dive in with the first in a series of posts about the re-release of STRAIGHT TO YOU in February. Today I wanted to explain why I’ve re-written the book.
Incredibly, it’s twenty years ago yesterday since I started work on the first draft of the novel. If you’ve read any of the interviews I’ve done over the years, you’ll inevitably have heard me say I’m a frustrated film-maker at heart. When I left school I wanted to make movies, but with no relevant experience or qualifications, and no immediately obvious way of getting any, I ended up working for a high street bank (something which, though I enjoyed aspects of it at the time, I’m less than proud to admit now). I saved up and bought a video camera, but the quality was poor and editing footage was next to impossible, so plans to break into the film business were put on hold. But I was left with a number of stories rattling around inside my head, and I knew I had to do something with them. I tried my hand at writing screenplays before deciding I was better suited to writing more conventional prose. After a number of false starts, I sat down on 1st January 1994 and set myself a few ground-rules for writing. I told myself it was my last chance.
- I decided I’d plan the full outline of the story first;
- I’d write at least a page a day;
- I wouldn’t go back and re-read or edit anything until I’d finished each full draft.
Six months later and I’d written my first novel, STRAIGHT TO YOU. I reluctantly began showing it to people, assuming they’d hate it, and I was relieved (and shocked and surprised, if I’m honest) when they didn’t. In fact, they seemed to actually enjoy it. Then someone got really angry with me because the ending of the book made them cry, and someone else told me you can’t finish a story like that, and another friend said they couldn’t stop thinking about it… and I realised I might actually be onto something.
After a relatively brief search, the book found a home with a very small British publisher, and STRAIGHT TO YOU was released in September 1996. You probably know the rest of the story from here… I sat back and naïvely waited for the cheques to come rolling in, but they didn’t. I waited to hear from readers and other publishers, but heard nothing. I checked the shelves of all the bookshops in Birmingham, and found it stocked in only one… The initial print run of just 500 copies failed to sell (and I still have a box left in my garage…). Looking back, it would have been easy to throw in the towel, but I took another option instead. I finished writing AUTUMN and made that book available for free online, and that was probably the single most important decision I’ve taken in my writing career so far.
But STRAIGHT TO YOU wouldn’t go away. People seemed to really respond to the story which, in essence, is very simple: the sun is dying, the end of the world is fast approaching, and our hero is separated from his lover by hundreds of miles – will he reach her before all life on Earth is annihilated?
In 2005 I re-released the novel through Infected Books, though with a number of reasonably successful novels under my belt by that time, I was growing to dislike my debut. Not the story, just the way it was written. Looking back at the original version now I cringe. Twenty years ago I was a single man with no kids and hardly any responsibilities. I also had bugger all writing experience, bugger all life experience, and it showed. The characters were flat and two-dimensional, the dialogue was awful, you couldn’t move for clichés… Perhaps I’m being overly harsh and critical, but I don’t think so. And as time progressed, so my hatred (and that’s not too strong a word) for the original novel continued to grow. But still the story wouldn’t go away…
Fast-forward to 2011, and when I delivered the last AUTUMN and HATER novels to my publishers, I decided to go back and revisit my other Infected Books releases, to try and bring them up to the standards of my subsequent books and give the stories the treatment I thought they deserved. TRUST, as you probably know, was released in July 2012, and AUTUMN: THE HUMAN CONDITION came out last year. That just left STRAIGHT TO YOU, which I rewrote from scratch last summer.
I’m over the moon with the way the book has turned out, and initial feedback has been very positive. I’ll talk in the coming weeks about the inspirations behind the novel, the differences between the original and new versions of the book, and remind me also to tell you about being shafted by Hollywood (because, at one stage, the book was on the verge of being optioned by some very famous folks… and no, I won’t be telling you who, because I can’t afford to sue them and, more to the point, I can’t afford to be sued).
All I’ll say for now is that despite being very, very different, the 2014 version of STRAIGHT TO YOU still retains the same atmosphere of that little book I started writing twenty years ago yesterday. In some ways it feels like an impossible sequel. I guess if I had made it in the movie business, I’d be calling it a reboot or a reimagining. Whatever it is, I can’t wait for people to read it.