The shit’s about to hit the fan, and this time Matthew Dunne is right at the epicentre.
The JoBlo movie network website always has stacks of great content. One of the sections I enjoy most is the snappily titled “The Best Movie You Never Saw”, and this week it featured one of my favourite films. A quick glance at my RECOMMENDATIONS page revealed that I’d never written about it for this site, so I thought I should put that right post haste! This weekend’s film recommendation is Joel Schumacher’s startling 1993 movie, FALLING DOWN.
Freeways are clogged. Terror stalks our cities. At shops and restaurants, the customer is seldom right. Pressures of big-city life can anger anyone. But Bill Foster is more than angry. He’s about to get even.
Foster abandons his gridlocked car on the hottest day of the year and walks straight into an urban nightmare both absurdly funny and shatteringly violent. Michael Douglas is Foster, an ordinary guy at war with the frustrations of daily life. Robert Duvall is the savvy cop obsessed with stopping Foster’s citywide rampage.
Last year two of the German language publishers I’d been working with for some years closed down unexpectedly. It was a real disappointment, not least because I’ve always enjoyed a lot of success in Germany. But every cloud has a silver lining, and the experience forced me to think differently about how I want foreign language editions of Infected Books titles to be published in future. If you’ve been following me for a while, you’ll know I always try to have a foot in both publishing camps – traditional and independent. The wide exposure of mass market publishing is vital, but I also love the level of control that independent publishing offers. As demonstrated by what happened in Germany, having other publishers involved can have risks.
So I’ve decided to take a new approach. Foreign language editions of Infected Books titles will now, wherever possible, by published directly through Infected Books. Rather than pay translators a fixed fee, I’m instead tipping the usual relationship on its head and paying them a royalty.
The first fruits of this new strategy are starting to appear. I’ve worked with the original translator and cover artist and a revised edition of Straight to You: Postapokalyptischer Thriller is now available from Amazon.de. The re-release of the Herbst (Autumn) series will follow shortly.
For me this is a logical progression in independent publishing and I’m excited by the prospects. Are there any of my novels you’d like to see available in your language? Let me know and I’ll see what I can do.
I need to get something off my chest. Right, here goes… I once took literary inspiration from E L James, author of the unfeasibly popular Fifty Shades series. I don’t mean to offend fans of Fifty Shades with that comment, but you have to admit, those books are unfeasibly popular. Something like 150 million copies sold? That’s incredible.
So, on one hand, it’s hats off to Ms James, because she’s found a formula people clearly like and she’s sticking to it. You could argue that I’ve done exactly the same (though I do at least try to experiment – the book I’m currently writing is nothing like anything I’ve released previously). On the other hand, though, from what I understand of the books in the second Fifty Shades series, they’re pretty much a scene for scene rehashes of the first, just with the internal thoughts of an impressionable young student replaced with those of a complete fucking pervert.
And I’m claiming I was inspired by this series? Let me explain…
I’ve said before that the second HATER trilogy came as a result of discussions I’d had with Ed Barratt, producer of the upcoming HATER movie, about a potential TV adaptation. The original books were told exclusively from Danny McCoyne’s perspective, and whilst that worked well on paper, it would have been hard going on screen. A TV series would need to dive deeper and fill in the blanks, following different characters and situations to ramp up the drama and keep the viewers’ interest. And for a while I was struggling to work out how I would do that.
Enter E L James.
Families can be funny things. It’s no surprise when you think about it: we chose our friends and our lovers, but not our parents or our siblings. Why should we be expected to get on with them when all we share is genetics and a house? Don’t read anything into this intro, by the way, I’m not about to give you the potted history of the family Moody. I’m actually just going to recommend a cracking little film to you: AWAIT FURTHER INSTRUCTIONS.
A family’s tense reunion turns terrifying when they get trapped in their home by an unknown force, and sinister commands begin appearing on their TV.
My mission to get audiobook versions of all my novels published is a little closer to completion as STRAIGHT TO YOU has just been released. It’s superbly narrated by Matthew Jackson, and I’m really pleased with how it’s turned out. You can listen to a sample here, or grab a copy from Audible, Amazon or iTunes.
The sun is dying. The temperature around the world is rising by the hour with no sign of any respite. At this rate the planet will soon become uninhabitable; all life extinguished. It might be weeks away, it might be days…we may only have hours remaining. Society is crumbling. The burning world is descending into chaos.
Steven Johnson’s wife is hundreds of miles away and all that matters is reaching her before the end. He has to act now, no time to stop and think. Every second is precious. Tomorrow is too late.
“Straight To You deserves to be ranked alongside such classics as The Stand and Swan Song.” –Ginger Nuts of Horror
“A truly breath-taking and awe-inspiring read from an undeniable master of this sub-genre.” –DLS Reviews
This week my DAY OF THE TRIFFIDS retrospective reaches peak point. If you’ve read my earlier posts you’ll know that a). TRIFFIDS is my favourite book and it’s had an enormous influence on my writing and b). I’m currently working my way through the various film and TV adaptations. I’ve made no secret of the fact that I’d love to write the screenplay for a Triffids movie/miniseries, so I’ve been looking at the pluses and minuses of each version to try and understand why they’ve succeeded or failed. Today we get to the 1981 BBC TV version which is, without question, the most faithful adaptation of John Wyndham’s story yet produced.
Back in the day, when there were only three UK TV channels and we were on the cusp of the home video revolution, this adaptation of TRIFFIDS occupied the primetime. It faired pretty well, with decent viewing figures, favourable reviews and plenty of media coverage. Following the release of the novel in 1951, the name Triffid came to be used to describe any over-sized or vaguely menacing-looking plant, and the beautiful design of the 1981 creature (for want of a better word) also became unexpectedly iconic. I wrote previously about how hard it must be to visualise a genuinely threatening, seven-foot tall, walking carnivorous plant, and yet visual effects designer Steve Drewett did just that. Their vivid colouring, their stings dripping with poison, and their borderline flamboyant, quiff-like styling resulted in a realisation of the Triffids like nothing seen previously or since. There’s an arrogance to their appearance. It’s almost as if they want you to come and have a go if you think you’re hard enough.
But before I get into the detail and explain why I think this adaptation works so well, let’s watch the title sequence and enjoy the theme music by Christopher Gunning. I say enjoy, but if I’m honest, at the tender age of eleven, these titles scared me just about as much as the Triffids themselves!
I thought it would be interesting to just ask the one question with no follow-ups. I could have asked whereabouts in the world you live or any number of other questions to see if what factors affected your allegiance, but I didn’t. In the HATER books, the Hate ignores all our existing differences, so it made sense for this very unscientific poll to do the same.
369 people voted across this website, Facebook and Twitter, with 59% of people picking Haters over Unchanged. Interestingly, this varied between platform. On my website the split was 49% Hater, 51% Unchanged, on Facebook it was 62% Hater, 38% Unchanged, and on Twitter it was 58% Hater and 42% Unchanged. Does that mean people feel more Hate on social media sites than here on my warm and welcoming website? I don’t know, maybe they do. Interestingly, Haters were far more vocal, with around 60% of comments being from Haters and only 40% Unchanged.
So there you have it. Totally unscientific and little more than a ‘finger in the wind’ exercise. Still, if you’re in the UK like me, I hope this has taken your mind off the other votes we’re currently having to contend with for a couple of blissful minutes!
One last thing. I was interested to read a comment on this poll where the commenter said their allegiance had switched now they’re reading the second HATER trilogy because it tells the story from the Unchanged perspective. If I’m honest, the same thing happened to me while I was writing the books. As I worked my way through HATER, DOG BLOOD and THEM OR US I was Hater all the way. But having spent the last few years writing ONE OF US WILL BE DEAD BY MORNING, ALL ROADS END HERE and CHOKEHOLD, my loyalties seemed to switch. I wonder if, by the time you’ve read CHOKEHOLD, you’ll have come to the same conclusions about the state of the human race as I did…
All the focus has been on ALL ROADS END HERE recently, but I wanted to let you know that the absolute final HATER book, CHOKEHOLD, is in the bag and is lined-up for release on November 19 (my birthday, wouldn’t you know!). It’s already available to pre-order. Here’s the cover. It perfectly sums up the tone of the book.
I won’t say too much because I don’t want to spoil things for those who haven’t yet read the other novels, but CHOKEHOLD deals with a whole new chapter in the overall HATER story. It takes place in the aftermath of DOG BLOOD and ALL ROADS END HERE and, in many ways, is also a prequel to THEM OR US. More familiar characters will be returning, and I think you’re really going to like it. Especially the fact that this is the first time… No. Shut up, Moody. I’m not saying anything else. You’ll just have to wait and see.
CAREFUL – SLIGHT SPOILERS FOR ALL ROADS END HERE FOLLOW
Really pleased to have a (very) short story in this collection. Editor Kevin Kennedy has assembled seventy micro-stories, each no longer than one hundred words, and has bound them up in this fine looking volume. It’s available now in paperback and ebook from Amazon and all the other usual online places. Great to see some familiar names in the table of contents, including Shaun Hutson, Richard Chizmar and Paul Kane. And if you’re wondering how long a one hundred word story is, here’s your answer: this blog post is exactly one hundred words. Not a lot of space, is it?