I’ve told you a lot about it, but I don’t think I’ve properly explained why I’ve been writing a second HATER trilogy. Is it a cynical cash in? A cheap way to drum up interest in my books again after a quiet couple of years? The answer to both those questions is a very definite ‘no’.
The new trilogy has its roots in some of the many movie-related discussions I’ve had about the books over the years. On numerous occasions, producer Ed Barratt and I have talked about TV adaptations (and we came tantalisingly close to getting that off the ground at the turn of this year but, as is so often the way, our plans unravelled at the last moment). Ed and I discussed the issues we’d face trying to translate HATER, DOG BLOOD and THEM OR US to the small screen. Part of the attraction of the books is the fact they focus exclusively on one man’s story, but the more I thought about it, the more I realised that this relatively narrow approach might present problems from a theatrical point of view.
One of the recurring themes of the series is ‘who is the bad guy?’. When the outbreak (or whatever it is) begins in HATER, the natural assumption is that the Haters are the villains. But, for various reasons, we later start to question that assumption, particularly when the extent of the actions taken by the Unchanged to keep themselves safe is revealed. It’s clear that both sides are capable of doing whatever they have to do to survive, and this comes to a head at the end of DOG BLOOD. I’ll be vague in case you’ve not yet read the books (come on, keep up!), but a pretty unspeakable act is carried out by someone. It’s particularly shocking, because that act has huge ramifications for both sides and every surviving individual, Hater and Unchanged alike.
So that got me thinking, are the Unchanged as innocent as I initially thought? Are the Haters as evil and ferocious as they appear? Do the lines ever blur? Are there weaker Haters and stronger Unchanged? How clear is the distinction between the two?
With the release of ONE OF US WILL BE DEAD BY MORNING – the first book in the second HATER trilogy – fast approaching, I thought it would be interesting to start showing you how the two series are connected. They both tell different stories, but there are shared events and locations and… and I’m not going to tell you much more just yet.
With apologies for my limited graphics skills, here’s a handy timeline:
I’ve just heard the terrible news that the Godfather of zombies, George A Romero, has passed away at the age of 77 after a short battle with lung cancer. This is awful, awful news. I’m hard pushed to think of a filmmaker who had such an influence on the horror genre. For me, I can trace my fascination with zombies to a particular dark and storm-filled afternoon when, with my brother and a bunch of friends, we sat down to watch the original NIGHT OF THE LIVING DEAD on laserdisc (yes, it was that long ago). That movie was revelatory, as was DAWN OF THE DEAD, and then DAY OF THE DEAD. Landmark. Without Mr Romero’s movies, myself and scores of other writers and filmmakers would have had to find something else to do for a living. His films – particularly the original DEAD trilogy and other classics like THE CRAZIES and MARTIN – struck a chord in a way very few movies did. The series which kickstarted my career – AUTUMN – would never have been written had it not been for Romero’s films.
George Romero is survived by his wife and three children. My sincere condolences go out to them at this very sad time.
It’s about time I started posting a few more film and book recommendations here, and what better place to start than with a well-made, lo-fi, slow-burn apocalyptic movie. IT COMES AT NIGHT is a really good movie, which appeared to have been sold really badly (perhaps intentionally) by the marketing team behind it. I thought it was a great film, but it wasn’t the film I thought I was going to see. Here’s a synopsis and a trailer. Click the link below for my brief thoughts.
Secure within a desolate home as an unnatural threat terrorises the world, the tenuous order a man (Joel Edgerton) has established with his wife and son is put to the ultimate test with the arrival of a desperate family seeking refuge. Despite the best intentions of both families, paranoia and mistrust boil over as the horrors outside creep ever-closer, awakening something hidden and monstrous within the man as he learns that the protection of his family comes at the cost of his soul.
It’s been so long since I posted about this I bet you’d forgotten about it. Or I bet you thought I’d forgotten about it. I first announced THE SPACES BETWEEN back in 2014 – it’s a long, multi-volume horror/ science-fiction series which is, for wont of a better description, like CHILDREN OF MEN meets BREAKING BAD (with a healthy dash of BLADE RUNNER to boot). It’s going to be good. Damn good. I’ve been keeping you waiting for years and… and I’m unfortunately going to be keeping you waiting a while longer yet. The first books are still more than a year away.
Those of you who’ve been following my work for a while will know that the last few years have not gone to plan. Various personal and family issues have repeatedly derailed my writing, and my family and I are right in the middle of another wave right now which is substantially affecting my ability to write. By the end of this year, however, we should be back to business as usual.
But it’s not all doom and gloom around here… a substantial amount of work is still getting done (just not as much as I’d like). THE OTHER HALF (HATER #5) is coming along nicely and will be delivered to my editor shortly. After that I’ll be writing AXXXXX: XXXXXX – a top secret novel I haven’t told anyone about – which should take me through to the end of 2017. In the new year I’ll be diving straight into THE LAST SUMMER (HATER #6), and then I’ll be cracking on with THE SPACES BETWEEN.
At this point I should add that all those folks who won the competition I ran back in 2014 to appear as named characters in the books will all still appear as planned. Apologies, folks, for the unavoidable delay.
Even though I’ve hardly written a word of the series, I’ve been doing plenty of planning. Part of the issue I’ve had is that it’s a HUGE story, and the overall length has fluctuated wildly during the planning process. There’s a lot of world-building to be done, but I’ve taken the decision to separate a lot of that out from the main narrative. So what began as a five book series has now ballooned to nine books which will, in effect, be two separate series which will conclude with a single final novel. The extra books will be THE SHADOWS BETWEEN – the future histories of key events which will define the world of THE SPACES BETWEEN. My plan is that the books will be released in pairs – one from each thread of the story at a time.
You’ve got to trust me on this – it’s all going to be worth the wait. I’m just sorry it’s taking such a long time!
I do love a good multi-author box set, and this is definitely a good one! Everyone’s a winner with these sets – the authors involved benefit from sharing the marketing and publicity and exposure to each other’s readers, and the readers benefit from being able to get hold of a load of top-notch books at a ridiculously low price. I’ll say no more on this one, I’ll just leave you to peruse the cover and the kick-ass contents.
Zombie Fallout – Mark Tufo
Strain of Resistance – Michelle Bryan
Strangers – David Moody
World-Mart – Leigh M. Lane
A New World: Chaos – John O’Brien
Trudge: Surviving The Apocalypse – Shawn Chesser
Black Virus- Bobby Adair
Whiskey Tango Foxtrot – W.J. Lundy
The Death of Kaylis – Jaime Johnesee
The Biomass Revolution – Nicholas Sansbury Smith
Return of The Phoenix – Heath Stallcup
The box set is available from all the usual outlets at a ridiculously low price:
I’m really pleased with how the book has been received, with the Sci-Fi and Fantasy Reviewer site saying “If anything, Moody has managed to surpass the fantastic job that Timothy W Long did with Screaming Eagles, writing a book that has brilliant action scenes, a fantastic setting and atmosphere, and an exciting plot that ratchets up the tension until the last few scenes.”