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ALL ROADS END HERE – important update

Hello. Long time no speak. I’ve had my head down writing the final HATER book  – CHOKEHOLD – but I’m briefly coming up for air to bring you an important update about ALL ROADS END HERE.

On the whole, I’m pleased with how ONE OF US WILL BE DEAD BY MORNING has been received since its release last December. It’s still getting plenty of good press. Just this month, STARBURST magazine called it “a gripping, visceral read, glistening with gore and studded with extreme brutality and with a relentlessly downbeat tone which will please lovers of hard-edged apocalyptic fiction”, whilst SFBOOK REVIEW said it was “clever, convincing, claustrophobic fiction”. Just yesterday, GEEK SYNDICATE published their verdict, with Ian Simpson noting that by the end of the book “you’re likely to be standing in a pile of gore, or not standing at all.”

My publisher has been looking again at how we publish and market the second HATER trilogy, and we’ve decided that these are books which better suit a paperback release. ONE OF US… was hardcover only and is likely to stay that way until we’ve shifted more copies, but ALL ROADS END HERE and CHOKEHOLD will be released as paperbacks from the get-go.

In the case of ALL ROADS END HERE, this means that publication is going to be delayed, unfortunately. The book will now be released on February 12, 2019.

If you’ve pre-ordered the hardcover, please cancel your order. The paperback edition is already available for pre-order here.

Apologies for any inconvenience or disappointment. This is definitely the right approach for the series as a whole and I cannot wait for you to read the remaining books. In the meantime, can I suggest you re-read DOG BLOOD? You’ll be catching up with a few familiar faces in some unexpected places in ALL ROADS END HERE

And again, I’m sorry you’ll have to wait to read the new book. Rest assured I’m working on something to cushion the blow, and I hope to announce an upcoming release for 2018 very soon.

Look into the face of the monster

I am working hard to become a bona fide creature of horror. The picture below, ladies and gentleman, is a genuine attempt at a smile. I have developed Bell’s Palsy, and half of my face is currently paralysed. Like a half-hearted version of Two-Face from Batman, I can currently only raise one eyebrow and smile with half my mouth, but I can fix you with a hell of a withering stare from my (genuinely) unblinking left eye. I look an absolute bloody fright. Perfect horror movie fodder.

I’m currently in the middle of writing and planning and editing so haven’t had much to post about for a couple of weeks. I thought I’d take a moment to a). remind you all I’m still alive, and b). give you opportunity to laugh at my (hopefully temporarily) distorted mush. If the books dry up, I could always run away and join a freak show.

Genuine updates and announcements coming soon.

Always happy to be compared to Carpenter’s THE THING…

Thanks to This is Horror for a great review of ONE OF US WILL BE DEAD BY MORNING. Rich Cosgrove was kind enough to write that “while sharing DNA with John Carpenter’s seminal The Thing in that it’s effectively a single location exercise in paranoia and mistrust, (One of Us…) is very much its own tale.

One Of Us Will Be Dead By Morning proves once again that David Moody is a significant talent in the UK horror scene, delivering a sharp, insightful study on what it means to feel isolated, not only geographically but socially, and reminding us how uncomfortably quick we are to mistrust and turn on our fellow human beings. If you even remotely like tales of societal breakdown or post-apocalyptic fiction, this book is essential reading.”

Without doubt my most polarising book to date, ONE OF US WILL BE DEAD BY MORNING is out now from St Martin’s Press. Available from AmazonBarnes & NobleThe Book DepositoryIndiebound and all other good bookstores. Ebook available from AmazonKoboiBooks and other stockists. Audiobook by Macmillan Audio available from AudibleAmazon and iTunes. Signed hardcovers available from Infected Books.

Looking back at the AUTUMN movie

So, as I’ve mentioned a couple of times in the last few weeks, I’ve been thinking about the AUTUMN series a lot recently. AUTUMN was the first of my books which really took off. As you may recall, I gave it away free online between 2001 and 2008 (when, strange as it now seems, eBooks were rare and very few people were giving them away), and it was downloaded many hundreds of thousands of times. I wrote a series of sequels which were well received, and the first book was even adapted as an online full cast audio drama which you can still listen to.

But then HATER came along and my focus shifted. I then moved onto other books and projects, and it’s now a sobering five years since the last book – AUTUMN: THE HUMAN CONDITION – was released. Yet even now people still get in touch regularly to tell me how much they’ve enjoyed the series.

When I wrote the very first draft of the very first book, way back in 1997, no one was writing about zombies. Very few people were watching zombie movies, either. In fact, no one was paying zombies any attention in any way, shape or form. But in the years which followed, a totally unexpected thing happened and, for the first time, the living dead became mainstream. In films, Danny Boyle’s 28 DAYS LATER was a huge hit (which sparked endless pointless debate about whether zombies should run or not, and whether or not his infected were zombies at all), and Zack Synder’s remake of George Romero’s ground-breaking DAWN OF THE DEAD bucked the trend and proved that not all remakes were worthless cash-ins. THE WALKING DEAD comic was launched and a number of writers including myself, BRIAN KEENE and DAVID WELLINGTON precipitated the flood of zombie fiction.

And despite hearing rumours to the contrary every few months since then, the bubble hasn’t burst. People still love the living dead.

I’m going to write two more AUTUMN novels. There – I’ve said it out loud and in public now. I have an idea which I can’t stop thinking about and that, for me, is the acid test. If an idea for a book won’t go away, then that book needs writing. I have a couple of other projects to wrap up first, then I’ll dive straight into what I’m currently calling AUTUMN: DAWN. I don’t want to say too much at the moment, but I think the time’s right for these new books. As I’ve already said, the world has changed dramatically since I first wrote AUTUMN. To my mind, zombies have always been the ultimate story-telling device for allowing writers and film-makers to study the human condition. By turning people into something so similar yet inherently different, it enables us to look back and consider what makes us human in the first place. Socially we’re in a vastly different place now to where we were in 2001, and I think it’ll be fascinating to imagine how we’d react to the events of AUTUMN if they took place today. The new books won’t replace the original novels, nor will they undermine them. Same dead world, different people. Not a rehash or reboot. It’s funny… one of the rules of zombie fiction and movies when I first started writing was that the characters had to have an unspoken innocence and couldn’t know what a zombie was. Given the pop culture explosion I’ve just been talking about, there’s no way I could get away with that in the new AUTUMN books!

So what about the movie?

It was released in 2008 to a torrent of abuse and ill-feeling. It creaks and it groans. It was made on a shoestring budget and it shows. People either loved it or hated it (mostly they hated it). I stopped trying to defend it and used the backlash to try and promote the books, working on the dubious premise that there’s no such thing as bad publicity. Tellingly, none of the publishers of the series around the world mentioned the film in their marketing, though an editor who worked on the books did once tell me that ‘it’s always better to have a bad film made of one of your books than no film at all’. And with hindsight, I think I agree. But how bad a film is it? Was all the negativity justified? This week I took a deep breath and watched AUTUMN from start to finish for the first time in a decade. And you know what? I really enjoyed it. I’m under no illusions, it’s not a great movie by any stretch of the imagination, but I don’t think it’s the absolute car crash that most people assume.

Here’s a trailer, and my thoughts follow. And yes, that is me on the DVD cover above.

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The Shape of Water

A fairly predictable film recommendation from me today. I make no secret of the fact that I owe GUILLERMO DEL TORO big time. I’ve never met the man, never even spoken to him directly, but it’s no exaggeration to say that he changed my life. His endorsement of HATER and the movie he almost produced helped propel my gruesome little book from its modest indie roots to a worldwide release which exceeded my wildest expectations. I was trawling through some old clippings the other day and I came across an old interview with him where he talked about it: “…what I love about the premise is that there is a righteousness. It’s not a viral situation, not a contagion, it’s a situation of a social disease. That we can road rage into murdering someone at any second. That it’s a social epidemic is what attracted me. It’s not a zombie movie. The people that kill the people can rationalise why they did it. That’s what is scary about it.

You can understand why this was such a big deal, but what made it an even bigger deal was the fact I was a huge Guillermo del Toro fan even before this happened. I happened upon a copy of his first movie, CRONOS, shortly after it was released in 1993, and I’d followed his career with interest since then. Or was that his careers? He seems to occupy a unique position whereby he alternates big budget crowd pleasing movies like HELLBOY and PACIFIC RIM with more personal films such as THE DEVIL’S BACKBONE and PAN’S LABYRINTH. His most recent movie, for which he picked up the best director and best picture Oscars at this year’s Academy awards, seems to have brought both of these strands of film-making together.

The premise is simple, the film is outstanding: At a top secret research facility in the 1960s, a lonely janitor forms a unique relationship with an amphibious creature that is being held in captivity.

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Press Releases

PRESS RELEASE – FOR IMMEDIATE RELEASE

March 2018

CULT UK HORROR AUTHOR DAVID MOODY RETURNS TO THE SCENE OF HIS MOST FAMOUS APOCALYPSE

Oscar winning director Guillermo del Toro (THE SHAPE OF WATER, PAN’S LABYRINTH) called Moody’s 2009 novel HATER “a head-spinning thrill ride, a cautionary tale about the most salient emotion of the 21st century”. After tearing the human race in half in HATER and its two critically acclaimed sequels DOG BLOOD and THEM OR US, Moody’s now paying a return visit to his dystopian world with a brand new trilogy.

ONE OF US WILL BE DEAD BY MORNING (now available from St Martin’s Press) and the forthcoming follow-ups ALL ROADS END HERE (published September 25 2018) and CHOKEHOLD (2019) tell the other (equally brutal and blood-soaked) side of the original HATER story, with the six books ultimately combining to form a single epic dystopian saga.

With the long-gestating HATER movie in active development, Moody went right back to the beginning. “HATER is an insular and very personal vision of the apocalypse,” he said. “It’s literally one man’s journey through the end of days. That works really well on the page, but we’ve recently been talking about a TV adaptation and I found myself fleshing out plotlines to show how my anti-hero Danny’s story fitted in with the decline of the rest of the world at large. I was able to go back and look at the events Danny was a part of in a new light. It sounds like a blatant cash-in but it’s really not – the new books have enhanced the original trilogy in a way I could never have imagined.”

Critical reaction to the first book in the new series – the snappily-titled ONE OF US WILL BE DEAD BY MORNING – has exceeded Moody’s expectations. Kirkus called the book “A bloody fun ride… Another wetwork nightmare that should delight fans of Haters and intrigue writers who wallow in the genre”, while Booklist’s starred review said that “Moody really knows how to write creeping, claustrophobic terror, effectively sneaking up on his readers and, finally, scaring the life out of them. Top-drawer horror”. DLS Reviews said that “the novel rips you out of your safe and sung world and thrusts you into an environment where anyone can turn on you in the blink of an eye. It’s hard-hitting, head-poundingly tense, and drenched from head to toe in blood-splattered cruelty.”

ONE OF US WILL BE DEAD BY MORNING is available now in hardcover and ebook from St Martin’s Press, and as an audiobook from Macmillan Audio. Find out more about Moody at www.davidmoody.net.

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ABOUT DAVID MOODY

A pioneer of independent publishing, DAVID MOODY first released HATER in 2006, and without an agent, succeeded in selling the film rights for the novel to Mark Johnson (producer, Breaking Bad) and Guillermo Del Toro (director, The Shape of Water, Pan’s Labyrinth). Moody’s seminal zombie novel AUTUMN was made into an (admittedly terrible) movie starring Dexter Fletcher and David Carradine. He has a unhealthy fascination with the end of the world and likes to write books about ordinary folks going through absolute hell. With the publication of a new series of Hater stories, Moody is poised to further his reputation as a writer of suspense-laced SF/horror, and “farther out” genre books of all description. Find out more about his work at www.davidmoody.net and www.infectedbooks.co.uk.

Contact:  davidmoody@djmoody.co.uk
Facebook:  facebook.com/davidmoodyauthor
Twitter: @davidjmoody
Instagram: davidmoodyauthor


ONE OF US WILL BE DEAD BY MORNING

In One of Us Will Be Dead by Morning, David Moody returns to the world of his Hater trilogy with a new fast-paced, and wonderfully dark story about humanity’s fight for survival in the face of the impending apocalypse.

The fewer left alive, the higher the stakes.

Kill the others, before one of them kills you.

Fourteen people are trapped on Skek, a barren island in the middle of the North Sea somewhere between the coasts of the UK and Denmark. Over the years this place has served many purposes—a fishing settlement, a military outpost, a scientific base—but one by one its inhabitants have abandoned its inhospitable shores. Today it’s home to Hazleton Adventure Experiences, an extreme sports company specializing in corporate team building events.

Life there is fragile and tough. One slip is all it takes. A momentary lapse leads to a tragic accident, but when the body count quickly starts to rise, questions are inevitably asked. Are the deaths coincidental, or something else entirely? Those people you thought you knew, can you really trust them? Is the person standing next to you a killer? Will you be their next victim?

A horrific discovery changes everything, and a trickle of rumours becomes a tsunami of fear. Is this the beginning of the end of everything, or a situation constructed by the mass hysteria of a handful of desperate and terrified people?

ISBN: 978-1250108418. Published by St Martin’s Press, New York

I should be working (but instead I’m reading)

I really should be working, but it’s been a while since I got hold of a copy of SCREAM and, as usual, it’s packed with good stuff.

Should be working (instead I’m reading). Finally got my hands on the latest #screamhorrormag

Having recently sat through the film again, I particularly enjoyed the comprehensive feature about FREDDY’S DEAD: THE FINAL NIGHTMARE. Also noteworthy were the articles about PIRANHA, the career of JOE DANTE, and oft-overlooked sequel EXORCIST III. And that’s why I love SCREAM, and why I post about it whenever a new issue lands on the doormat – it’s a magazine for true horror fans who’ve lived and breathed the genre for years. It focuses on the classics as well as the contemporary. Long may it continue!

You can get hold of SCREAM from www.screamhorrormag.com/store. It’s also available from BARNES & NOBLE and BOOKS A MILLION stores in the USA, CHAPTERS/INDIGO stores in Canada, EASON stores across Ireland, and in the UK you can pick up copies from WH Smith, HMV, FOPP and FORBIDDEN PLANET.

MOON

How long’s it been since I recommended a film here? A quick glance back shows that it’s 4 months since I talked about the plusses of PADDINGTON 2 versus the negatives of ALIEN: COVENANT, so a new recommendation is well overdue. I watched Duncan Jones’ MUTE last night, and though I tried hard to love it, I could only like (bits of) it. MUTE hit Netflix earlier this month, and it piqued my interest because it takes place in the same movie universe as Jones’ first movie, MOON. To my mind, MOON is one of the best films of the last decade, and I realised I’d never recommended it on this site. So here goes.

Astronaut Sam Bell’s (Sam Rockwell) three-year shift at a lunar mine is finally coming to an end, and he’s looking forward to his reunion with his wife (Dominique McElligott) and young daughter. Suddenly, Sam’s health takes a drastic turn for the worse. He suffers painful headaches and hallucinations, and almost has a fatal accident. He meets what appears to be a younger version of himself. With time running out, Sam must solve the mystery before the company crew arrives.

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Write Through the Roof

I had a great time recently being interviewed by MADELEINE D’ESTE for her podcast WRITE THROUGH THE ROOF. It’s an excellent show designed for writers who want to improve their craft. Each episode, a different writer shares their tip for what took their writing to the next level. Previous guests have included Gareth L. Powell, Dave Hutchinson and Garth Nix. Please listen in!

Use the player below to listen, or download or subscribe.