I’m planning to be there, along with Steven Rumbelow, the director of the movie. It would be excellent to meet as many of you who are going as possible so drop me a line if you’re planning to attend. It should be a cracking weekend with some great films being shown including Colin, The Descent Part 2 and many others still to be confirmed. On the Sunday the organisers are hoping to break the world zombie walk record with several thousand people staggering along the streets of Manchester! Oh, and I’m planning to be able to fit in a HATER book signing too.
Check out this article over at Shock Till You Drop who managed to grab a quick word with Mark Johnson, one of the producers of the HATER movie.
Can’t tell you how excited I am about this…
Oh, and while we’re on the subject of HATER, keep an eye on this site in the coming weeks for news of more editions of the book and the first word on DOG BLOOD, the second book in the series due for release in 2010.
The team at Renegade want you to see the Autumn movie, and so do I. I know they’re as frustrated as anyone that the film’s not yet been released, and they’re working hard behind the scenes to get it onto cinema and TV screens.
Over at the movie’s official blog, they’re asking for your input. If you’re in the UK or Canada, please head over to their site at autumnthemovie.blogspot.com and answer their questions. Alternatively, you can email your views to: autumninfo (at) renegademotionpictures.com.
It broke my heart this week to see the trailer for the SyFy channel’s unnecessary remake of the Terry Gilliam classic, 12 MONKEYS, which looked about as good as I expected (i.e. not good at all). 12 MONKEYS is a favourite film of mine, and I realised I hadn’t written about it for this site. So I’m putting that right today, and adding the movie to the Post-Apocalyptic Movie Club.
You know, of the slew of (almost exclusively inferior) remakes announced and produced over the last few years, 12 MONKEYS is one that hurts the most. And that’s ironic, because the film is a remake of sorts itself, being based on LA JETEE – a 1962 post-apocalyptic French short directed by Chris Marker, told entirely through still images and narration.
The premise of 12 MONKEYS is beautifully simple: “In a future world devastated by disease, a convict is sent back in time to gather information about the man-made virus that wiped out most of the human population on the planet.” I’m sure you’ve probably seen it already but, if not, watch the trailer and click the link below and I’ll tell you why you should stop what you’re doing and watch the movie now.
On Sunday 11 May, the seventh LEEDS ZOMBIE FILM FESTIVAL takes place at the Cottage Road Cinema, Headingley. Organised as always by Dominic Brunt (director/star of the magnificent BEFORE DAWN) and his Emmerdale co-star Mark Charnock, this year they’ve put together a phenomenal selection of movies including THE BATTERY, LIFEFORCE, STALLED and WORLD WAR Z. To remind yourself what I thought of each of those movies, click the posters below.
Day tickets are £15, and are available from the Cottage Road Cinema (click here). More information can be found via Facebook and Twitter. This is a chance to see a truly fine selection of films in the company of two great hosts. I can’t make it, unfortunately, but I’m jealous as heck of everyone who’s going!
Something completely different for this week’s post-apocalyptic movie club selection, and I have a feeling this film will have passed most folks by…
IDIOCRACY is directed by Mike Judge, who first came to prominence in the mid-nineties as the creator of Beavis and Butt-Head. This, his second live action feature which was released (barely… I’ll explain in a second) in 2006, is a science-fiction satire which, I don’t mind admitting, left me feeling genuinely uneasy. As usual, here’s the plot, followed by the trailer, followed by my thoughts:
“Private Joe Bauers, the definition of “average American”, is selected by the Pentagon to be the guinea pig for a top-secret hibernation program. Forgotten, he awakes 500 years in the future. He discovers a society so incredibly dumbed-down that he’s easily the most intelligent person alive.”
Regular visitors here will recall how, a couple of weeks back, I was banging on about concept versus story and my argument boiled down to this: it’s all well and good having a great idea, but without a story which matters to people, your book or film will most likely go unread/unwatched/unloved.
Today’s Post-Apocalyptic Movie Club selection is a fantastic example of how that holds true – a movie with a deceptively slight concept which is carried by an excellent story and performances.
THE BATTERY is a lo-fi zombie movie. In fact, it’s one of the lowest lo-fi movies I think I’ve ever seen. It has a very small cast, a distinct lack of action, and yet I was captivated through the entire one hundred and one minutes. Here’s the synopsis and trailer. Click the link below for my thoughts.
Two former baseball players, Ben (Jeremy Gardner) and Mickey (Adam Cronheim), cut an aimless path across a desolate New England. They stick to the back roads and forests to steer clear of the shambling corpses that patrol the once bustling cities and towns. In order to survive, they must overcome the stark differences in each other’s personalities—Ben embraces an increasingly feral, lawless, and nomadic lifestyle—while Mickey is unable to accept the harsh realities of the new world. Mickey refuses to engage in Ben’s violent games and longs for the creature comforts he once took for granted. A bed, a girl, and a safe place to live.
When the men intercept a radio transmission from a seemingly thriving, protected community, Mickey will stop at nothing to find it, even though it is made perfectly clear that he is not welcome.
I have a habit (and I can’t decide whether it’s a good or bad habit) of neglecting everything else when I start writing a new book. I’ve been neck-deep in the first novel in the SPACES BETWEEN series for the last few weeks and haven’t been posting here as often as I’d planned. I’ll try and put that right.
I’ve just re-watched a classic. A real blast from the past for this Post-Apocalyptic Movie Club selection, and for good reason. I’ll be referencing this film, and the film I’m going to talk about next, in a new ‘What Works For Me’ article, coming up shortly.
There are three directors I regularly cite as having had a huge impact on me during my formative years. In no particular order they are George Romero, David Cronenberg, and John Carpenter. Romero is self-explanatory: without him there’d be no Autumn. Cronenberg – well, he’s responsible for some of my very favourite horror movies… The Fly, Shivers, Rabid – need I go on? I was once told that he’d been passed a copy of Hater. Just the thought that Cronenberg’s held one of my books is something I still find hard to believe.
John Carpenter completes this weird holy trinity. His films are, I think, more accessible than those of Cronenberg and Romero, but not less influential. I’m a particular admirer of his golden period: from Assault on Precinct 13 in 1976, through to The Thing in 1982, and pretty much everything in between. During this time he made a series of consistently strong, often ground-breaking horror films.
Escape from New York (1981) is a cracking movie, one which I’m sure you’ve probably seen. If you haven’t, you’re in for a treat. Here’s the synopsis, followed by a trailer. Click the link below for my thoughts.
In the future (well, 1997 was the future back then!), crime in America has spiralled out of control. Surrounded by impenetrable defences, New York City is now a maximum security prison: once you go in, you don’t come out. When the President of the USA crash lands in Manhattan, Snake Plissken, a disgraced special ops soldier, is sent in. Plissken has twenty-four hours to find the president and get him out.