August is always a quiet time around here. For no other reason, I guess, than the fact I’m usually neck-deep in writing. This year has been no exception (hence no posts for three weeks…). I thought it was time to reappear and give you an update. But first, thanks to my friend RICHARD BANNISTER of RICHBRIX for immortalising me in Lego. I was genuinely thrilled when he sent me to me. Isn’t he (aren’t I) cool?! More about that in a moment.
So what have I been up to? I’ve been working on a new novel called WAS SHE EVER THERE? since March, and I’m about to head into what I think will be the final draft. This one is something of a departure for me, and I’ll tell you more when the next pass is complete. There’s also been a lot of planning going on, mainly getting ready for my part of THE BLEED which I’m writing alongside CHRIS PHILBROOK and MARK TUFO. I can’t wait to get going on my section of the book. It’ll feature a visit from God and several ocean’s worth of gore.
Much work is also being done in preparation for my expansion of the AUTUMN series in 2020. The German reissues of the original series have gone down a storm (Vielen Dank an alle, die eine Kopie abgeholt haben), and the AUTUMN website at www.lastoftheliving.net will be getting a fresh coat of paint in the coming weeks. I think I can say that it’ll now be a trilogy of new novels which will be more broader in scale than the original books. Put it this way – if you set an AUTUMN novel in the centre of London you’re going to have many more survivors who’ll have to contend with many, many, many, many more undead.
So back to RICHBRIX. I used to work with Richard and even back in 2006/7 I knew he had a fascination for turning famous film scenes into bespoke Lego kits. Fast-forward a decade, and his passion has given birth to an incredible business. If you’ve ever dreamed of owning a Lego Snake Plissken from ESCAPE FROM NEW YORK (I genuinely have), or V from V FOR VENDETTA, then Rich is your man. Head over to www.richbrix.co.uk and get ready to part with your well-earned cash!
This week is READ AN EBOOK WEEK – a long-standing initiative that I’ve been pleased to support for a number of years. The debate over the merits of print books versus ebooks versus audiobooks will never be settled – I believe each format has its plusses and minuses, and what suits one reader (or listener) might not suit the next. I just try and make my books available in as many formats as I can, and I also try not to exploit my readers by asking them to buy the same book many times over. Never forget – if you buy a signed copy of a title published by Infected Books from www.infectedbooks.co.uk, you’ll immediately be able to download a complementary ebook version. Similarly, buy a print Infected Books title from Amazon, and you can claim a Kindle copy through the Kindle Matchbook programme.
My career was built on a foundation of ebooks. If I hadn’t been able to give so many copies of AUTUMN away (somewhere in the region of half a million by the time the free download disappeared in 2008), then I doubt anyone would have ever heard of me. So please, download and read an ebook this week. And when you’re done, please review and share. Recommendations are invaluable for authors and are always appreciated.
Time and time again, when I’ve been asked in interviews to name my favourite book, I always plump for John Wyndham’s 1951 classic, THE DAY OF THE TRIFFIDS. As I started typing this piece, I’d literally just put the novel down after reading it for the first time in ten years or so, and it seemed that now would be an ideal time to write about it in more detail and explain why it’s been such an influence on me and my work. Similar to what I did with Richard Matheson’s I AM LEGEND a couple of years back, I also plan to re-watch and write about each of the film/TV adaptations of the story. I’ve always found this a really interesting thing to do – each adaptation has pluses and minuses (some many more minuses than pluses) and by analysing them it helps me appreciate the strengths of the source material even more.
So, what’s it about? I’m sure you know by now, but here’s a brief synopsis. A new breed of plant is discovered – the Triffid. It has some remarkable qualities. Not only are Triffids a rich source of a natural oil, they’re also incredibly dangerous: they’re mobile and are able to drag themselves around, they possess poisonous, whip-like stings which they deploy with deadly accuracy, allowing them to kill and feed off the remains. And they can communicate with each other. Great herds of them roam the countryside together, given half a chance.
Typically, the potential for profit outweighs risk, and soon huge numbers of Triffids are being farmed commercially. Bill Masen is a Triffid farmer. When the book begins he’s in hospital, recovering from a sting which has almost rendered him blind. His eyes are covered, which is particularly frustrating because the Earth is scheduled to pass through a cloud of comet debris, and the skies around the world will be lit up in a display of unparalleled magnificence.
Next morning, everyone who watched the comet display discovers they’ve been blinded, and the world descends into utter chaos.
It’s the synchronicity of this story that gets me every time. Two events – the arrival of the Triffids and the comet debris – are apparently unconnected (though there’s some question as to whether that actually is the case), but their combined impact is devastating. By stripping the vast majority of the human population of their sight, Wyndham skews the odds in favour of the Triffids.
I’m looking forward to returning to the world of AUTUMN in the near future. It’s been five years since the release of AUTUMN: THE HUMAN CONDITION and in those years the zombie sub-genre has changed completely. No one was talking about zombies when the first book hit the shelves in 2001, but now they’re everywhere!
Not read the AUTUMN series? This gives me a great opportunity to point you in the direction of www.lastoftheliving.net which will give you all the information you need, along with more than 40 short stories, including HOME. Many of the stories were illustrated by some very talented folks. A gentleman by the name of Michael Dick provided several sketches for HOME, such as this:
Today’s film recommendation comes from Ryan Fleming (again), who watches (and makes) more post-apocalyptic movies than I do. AFTERMATH is something of an oddity. It has all the trappings of your typical low-budget, end of the world movie, yet there’s something about its approach, its nihilistic outlook, that sucks you in and drags you along. As usual, here’s a synopsis, a trailer, and some thoughts.
In a post-World War III nuclear apocalypse, nine strangers must band together to try to defend themselves against massive radiation, attacking refugees, and each other.
So, as I’ve mentioned a couple of times in the last few weeks, I’ve been thinking about the AUTUMN series a lot recently. AUTUMN was the first of my books which really took off. As you may recall, I gave it away free online between 2001 and 2008 (when, strange as it now seems, eBooks were rare and very few people were giving them away), and it was downloaded many hundreds of thousands of times. I wrote a series of sequels which were well received, and the first book was even adapted as an online full cast audio drama which you can still listen to.
But then HATER came along and my focus shifted. I then moved onto other books and projects, and it’s now a sobering five years since the last book – AUTUMN: THE HUMAN CONDITION – was released. Yet even now people still get in touch regularly to tell me how much they’ve enjoyed the series.
When I wrote the very first draft of the very first book, way back in 1997, no one was writing about zombies. Very few people were watching zombie movies, either. In fact, no one was paying zombies any attention in any way, shape or form. But in the years which followed, a totally unexpected thing happened and, for the first time, the living dead became mainstream. In films, Danny Boyle’s 28 DAYS LATER was a huge hit (which sparked endless pointless debate about whether zombies should run or not, and whether or not his infected were zombies at all), and Zack Synder’s remake of George Romero’s ground-breaking DAWN OF THE DEAD bucked the trend and proved that not all remakes were worthless cash-ins. THE WALKING DEAD comic was launched and a number of writers including myself, BRIAN KEENE and DAVID WELLINGTON precipitated the flood of zombie fiction.
And despite hearing rumours to the contrary every few months since then, the bubble hasn’t burst. People still love the living dead.
I’m going to write two more AUTUMN novels. There – I’ve said it out loud and in public now. I have an idea which I can’t stop thinking about and that, for me, is the acid test. If an idea for a book won’t go away, then that book needs writing. I have a couple of other projects to wrap up first, then I’ll dive straight into what I’m currently calling AUTUMN: DAWN. I don’t want to say too much at the moment, but I think the time’s right for these new books. As I’ve already said, the world has changed dramatically since I first wrote AUTUMN. To my mind, zombies have always been the ultimate story-telling device for allowing writers and film-makers to study the human condition. By turning people into something so similar yet inherently different, it enables us to look back and consider what makes us human in the first place. Socially we’re in a vastly different place now to where we were in 2001, and I think it’ll be fascinating to imagine how we’d react to the events of AUTUMN if they took place today. The new books won’t replace the original novels, nor will they undermine them. Same dead world, different people. Not a rehash or reboot. It’s funny… one of the rules of zombie fiction and movies when I first started writing was that the characters had to have an unspoken innocence and couldn’t know what a zombie was. Given the pop culture explosion I’ve just been talking about, there’s no way I could get away with that in the new AUTUMN books!
So what about the movie?
It was released in 2008 to a torrent of abuse and ill-feeling. It creaks and it groans. It was made on a shoestring budget and it shows. People either loved it or hated it (mostly they hated it). I stopped trying to defend it and used the backlash to try and promote the books, working on the dubious premise that there’s no such thing as bad publicity. Tellingly, none of the publishers of the series around the world mentioned the film in their marketing, though an editor who worked on the books did once tell me that ‘it’s always better to have a bad film made of one of your books than no film at all’. And with hindsight, I think I agree. But how bad a film is it? Was all the negativity justified? This week I took a deep breath and watched AUTUMN from start to finish for the first time in a decade. And you know what? I really enjoyed it. I’m under no illusions, it’s not a great movie by any stretch of the imagination, but I don’t think it’s the absolute car crash that most people assume.
Here’s a trailer, and my thoughts follow. And yes, that is me on the DVD cover above.
The film adaptation of THE RITUAL opened in the UK last weekend, and knowing the book well and having had opportunity to discuss the production of the film with Adam (and the frustrations of film-making for authors – which we talked about on a panel in Liverpool recently – photo below courtesy of Dan Burgess Photography) I was keen to watch it. It didn’t disappoint.
Here’s the blurb and the trailer. Click the link below for my thoughts.
Four old university friends reunite for a hiking trip in the Scandinavian wilderness of the Arctic Circle. No longer young men, they have little left in common and tensions rise as they struggle to connect. Frustrated and tired they take a shortcut that turns their hike into a nightmare that could cost them their lives.
Lost, hungry and surrounded by forest untouched for millennia, they stumble across an isolated old house. Inside, they find the macabre remains of old rites and pagan sacrifices; ancient artefacts and unidentifiable bones. A place of dark ritual and home to a bestial presence that is still present in the ancient forest, and now they’re the prey.
As the four friends struggle toward salvation they discover that death doesn’t come easy among these ancient trees…
I’ve just heard the terrible news that the Godfather of zombies, George A Romero, has passed away at the age of 77 after a short battle with lung cancer. This is awful, awful news. I’m hard pushed to think of a filmmaker who had such an influence on the horror genre. For me, I can trace my fascination with zombies to a particular dark and storm-filled afternoon when, with my brother and a bunch of friends, we sat down to watch the original NIGHT OF THE LIVING DEAD on laserdisc (yes, it was that long ago). That movie was revelatory, as was DAWN OF THE DEAD, and then DAY OF THE DEAD. Landmark. Without Mr Romero’s movies, myself and scores of other writers and filmmakers would have had to find something else to do for a living. His films – particularly the original DEAD trilogy and other classics like THE CRAZIES and MARTIN – struck a chord in a way very few movies did. The series which kickstarted my career – AUTUMN – would never have been written had it not been for Romero’s films.
George Romero is survived by his wife and three children. My sincere condolences go out to them at this very sad time.
It’s the 9th annual READ AN EBOOK WEEK. It’s an event I’ve posted about numerous times before and I’m pleased to continue to support the initiative. I’ve been an advocate of ebooks right from the beginning – those pre-Kindle days where I’d email Word, pdf, Mobipocket or lit (remember Microsoft Reader?) copies of AUTUMN to anyone who showed interest. It worked a treat, with more than half a million free copies of AUTUMN being downloaded between 2001 and 2008 when the series was acquired by Thomas Dunne Books.
Ebooks haven’t proved to be the print killer that everyone initially feared. To me, they’re something that compliments but doesn’t replace the physical version. I travel a lot at the moment, and my trusty Kindle has been a godsend on many recent plane and train trips.
So please join me in celebrating the humble ebook by sharing this post and other READ AN EBOOK WEEK articles. To mark the occasion, I’ve got a number of titles on special offer:
On 26 January THE GIRL WITH ALL THE GIFTS hits US cinema screens. Here in the UK we were lucky enough to get to see the film in September last year. My advice to those of you in the States? Go see this movie as soon as you’re able. Based on the acclaimed novel by M R Carey, it’s a superb zombie tale with an excellent cast, which echoes the works of George Romero and John Wyndham in equal measure. Below you’ll find a synopsis, the trailer, and a link to click to read my thoughts.
The near future; humanity has been all but destroyed by a mutated fungal disease that eradicates free will and turns its victims into flesh-eating “hungries”. Only a small group of children seem immune to its effects.
At an army base in rural England, this group of unique children are being studied, subjected to cruel experiments by biologist Dr. Caldwell. Despite having been infected with the zombie pathogen that has decimated the world, these children retain normal thoughts and emotions. And while still being subject to the craving for human flesh that marks the disease these second-generation “hungries” are able to think and feel making them a vital resource in the search for a cure.
The children attend school lessons daily, guarded by the ever watchful Sergeant Parks. But one little girl, Melanie, stands out from the rest. Melanie is special. She excels in the classroom, is inquisitive, imaginative and loves her favourite teacher Miss Justineau.
When the base falls, Melanie escapes along with Miss Justineau, Sergeant Parks and Dr. Caldwell. Against the backdrop of a blighted Britain, Melanie must discover what she is and ultimately decide both her own future and that of the human race.