The film adaptation of THE RITUAL opened in the UK last weekend, and knowing the book well and having had opportunity to discuss the production of the film with Adam (and the frustrations of film-making for authors – which we talked about on a panel in Liverpool recently – photo below courtesy of Dan Burgess Photography) I was keen to watch it. It didn’t disappoint.
Here’s the blurb and the trailer. Click the link below for my thoughts.
Four old university friends reunite for a hiking trip in the Scandinavian wilderness of the Arctic Circle. No longer young men, they have little left in common and tensions rise as they struggle to connect. Frustrated and tired they take a shortcut that turns their hike into a nightmare that could cost them their lives.
Lost, hungry and surrounded by forest untouched for millennia, they stumble across an isolated old house. Inside, they find the macabre remains of old rites and pagan sacrifices; ancient artefacts and unidentifiable bones. A place of dark ritual and home to a bestial presence that is still present in the ancient forest, and now they’re the prey.
As the four friends struggle toward salvation they discover that death doesn’t come easy among these ancient trees…
I’ve just heard the terrible news that the Godfather of zombies, George A Romero, has passed away at the age of 77 after a short battle with lung cancer. This is awful, awful news. I’m hard pushed to think of a filmmaker who had such an influence on the horror genre. For me, I can trace my fascination with zombies to a particular dark and storm-filled afternoon when, with my brother and a bunch of friends, we sat down to watch the original NIGHT OF THE LIVING DEAD on laserdisc (yes, it was that long ago). That movie was revelatory, as was DAWN OF THE DEAD, and then DAY OF THE DEAD. Landmark. Without Mr Romero’s movies, myself and scores of other writers and filmmakers would have had to find something else to do for a living. His films – particularly the original DEAD trilogy and other classics like THE CRAZIES and MARTIN – struck a chord in a way very few movies did. The series which kickstarted my career – AUTUMN – would never have been written had it not been for Romero’s films.
George Romero is survived by his wife and three children. My sincere condolences go out to them at this very sad time.
It’s the 9th annual READ AN EBOOK WEEK. It’s an event I’ve posted about numerous times before and I’m pleased to continue to support the initiative. I’ve been an advocate of ebooks right from the beginning – those pre-Kindle days where I’d email Word, pdf, Mobipocket or lit (remember Microsoft Reader?) copies of AUTUMN to anyone who showed interest. It worked a treat, with more than half a million free copies of AUTUMN being downloaded between 2001 and 2008 when the series was acquired by Thomas Dunne Books.
Ebooks haven’t proved to be the print killer that everyone initially feared. To me, they’re something that compliments but doesn’t replace the physical version. I travel a lot at the moment, and my trusty Kindle has been a godsend on many recent plane and train trips.
So please join me in celebrating the humble ebook by sharing this post and other READ AN EBOOK WEEK articles. To mark the occasion, I’ve got a number of titles on special offer:
On 26 January THE GIRL WITH ALL THE GIFTS hits US cinema screens. Here in the UK we were lucky enough to get to see the film in September last year. My advice to those of you in the States? Go see this movie as soon as you’re able. Based on the acclaimed novel by M R Carey, it’s a superb zombie tale with an excellent cast, which echoes the works of George Romero and John Wyndham in equal measure. Below you’ll find a synopsis, the trailer, and a link to click to read my thoughts.
The near future; humanity has been all but destroyed by a mutated fungal disease that eradicates free will and turns its victims into flesh-eating “hungries”. Only a small group of children seem immune to its effects.
At an army base in rural England, this group of unique children are being studied, subjected to cruel experiments by biologist Dr. Caldwell. Despite having been infected with the zombie pathogen that has decimated the world, these children retain normal thoughts and emotions. And while still being subject to the craving for human flesh that marks the disease these second-generation “hungries” are able to think and feel making them a vital resource in the search for a cure.
The children attend school lessons daily, guarded by the ever watchful Sergeant Parks. But one little girl, Melanie, stands out from the rest. Melanie is special. She excels in the classroom, is inquisitive, imaginative and loves her favourite teacher Miss Justineau.
When the base falls, Melanie escapes along with Miss Justineau, Sergeant Parks and Dr. Caldwell. Against the backdrop of a blighted Britain, Melanie must discover what she is and ultimately decide both her own future and that of the human race.
You might remember that a couple of months ago I started looking back at Richard Matheson’s landmark novel, I AM LEGEND, and the various film adaptations which have followed. I wrote about LAST MAN ON EARTH here, and eviscerated THE OMEGA MAN here. Now it’s time to look at the version I was dreading most. Alex Proyas’ 2007 I AM LEGEND starring Will Smith.
It’s funny how time affects your perception and enjoyment of movies. I originally loved THE OMEGA MAN back in the day, but hated it following my recent re-watch. Similarly, whilst I despised I AM LEGEND first time around, it didn’t annoy me anywhere near as much when I watched it again. It’s still horribly flawed, it still takes huge liberties with Matheson’s story, it still stars Will Smith (and I still can’t stand him), but it was… well, okay, I guess.
Here’s the trailer. Click the link for my thoughts.
Richard Matheson’s I AM LEGEND is a remarkable book. Do a straw poll of a hundred horror authors and ask them to name the single piece of fiction which most influenced them, and I’ll wager that a good number will cite I AM LEGEND. It’s not just authors – the same is probably true of film-makers too. You can’t read the book without having scenes from George Romero’s original NIGHT OF THE LIVING DEAD play out in your head.
There’s no question, therefore, that this is an hugely influential novel, and the fact it’s been filmed on no less than three occasions is further proof of that. Interestingly, though, it’s also a remarkably slight book, coming in at less than 200 pages. So how does Matheson cram so much into so little? I decided to try and find out. There will unavoidably be spoilers ahead.
As I type I’ve literally just finished re-reading the book for the umpteenth time. I thought it would be interesting to give you my thoughts on the novel and then, over the next few weeks, to look at each of the film adaptations in turn (and if you’re not aware of the movies, they are as follows: LAST MAN ON EARTH, THE OMEGA MAN and I AM LEGEND).
I’m sure you know the basic plot by now but, just in case, here’s the back cover blurb: Robert Neville may well be the only survivor of an incurable plague that has mutated every other man, woman, and child into bloodthirsty, nocturnal creatures who are determined to destroy him.
By day, he scavenges for food and supplies, desperate to find any other survivors who might be out there. But all the while the infected lurk in the shadows, watching his every move, waiting for him to make a mistake…
You might remember me waxing lyrical about a superb indie zombie film from a couple of years back called THE BATTERY. It was an excellent example of how low budgets and limited resources are no obstacle to success if you’ve got a strong vision and are dedicated to your project. THE BATTERY was an extremely original movie, and it looks like the film-makers’ next release – TEX MONTANA WILL SURVIVE! – is going to be equally inventive.
By the way, I’ve been beavering away behind the scenes here, and I missed an anniversary. It’s five years last month since Thomas Dunne Books released AUTUMN. The picture above was taken by me in Barnes & Noble on E 17th Street, New York, on the day of release back in 2010. I still find it hard to believe that my little zombie story – which started out as a free pdf I used to email to folks in the pre-ebook days of the turn of the century – turned into such a monster. Five novels, a short story collection, a movie, a radio adaptation… there’s clearly still a lot of love for the undead.