The Machine

themachineIn between writing, meetings and loads of other stuff, I’ve been catching up on a few movies I managed to miss over the last couple of years. THE MACHINE is a film I’d had my eye on since I saw it on the schedule of Grimmfest back in 2013. I finally got to see it last week, and I have to say, I was impressed. Stylish and smart, the film has an effortless Quatermass meets Blade Runner vibe which I couldn’t resist. Here’s a synopsis and the trailer. My thoughts follow:

Two computer programmers fall in love as they create the first ever piece of self-aware artificial intelligence, which is designed to help humanity. But things go wrong when the MoD steal their breakthrough and teach it to become a robotic weapon.

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PLASTIC JESUS by Wayne Simmons

plastic-jesusBy now Wayne Simmons should need no introduction. He’s a good friend, my industry partner in crime, and a fine writer. His new novel, PLASTIC JESUS, was recently released by Salt Publishing, and it goes without saying that I’m going to recommend you read it. But I’m not just saying that because Wayne’s my mate, I’m saying it because PLASTIC JESUS is an original and thought-provoking novel and it’s a damn good read. The book has a wonderfully realised setting (more about Lark City in a minute), and a cast of genuinely interesting (and hopelessly flawed) characters. Here’s the blurb. Click the link below to find out more.

Plastic Jesus grabs you by the throat. From the opening paragraph, without warning, it plunges you into a world of fear and confusion and visceral emotion. When it spews you back out again, you are left dizzy, overwhelmed – and desperate to read more. And it’s then that you take your first fearful steps into Lark City…

It is the near future, following a devastating Holy War. Once part of the US colonies, Maalside, the New Republic, now stands alone in the Pacific, separated from the heartland by 200 miles of salty ocean. Lark City is its capital, watched over by a 50 foot, pouting, stiletto-heeled and garter-belted ‘Miss Liberty’, a crude parody of the famous landmark across the water.

In this brutal neon jungle, Code Guy Johnny Lyon writes a Jesus social networking AI, to rebrand religion following the war. But something goes wrong; a virtual hell breaks on the streets of Lark – a violent, surreal and uncontrollable social breakdown.

Caught in this terrifying web of danger are Sarah Lee, Johnny’s co-worker, drug lord Paul McBride who is determined to exploit the chaos to wipe out his enemies, and McBride’s junkie daughter, a prostitute called Kitty.

Now, only Johnny can save Sarah, Kitty and the city.

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