If, when my time is up, I’m ever asked to look back and recall pivotal moments in my life, the key writing-related moment I’d cite involves PAN’S LABYRINTH. It was 2006, and I’d just published HATER independently through Infected Books. The release had gone pretty well, and I was happy with how the book had been received. Then, out of the blue, I received an email from a production company in Los Angeles, enquiring about the availability of the film rights. Within a couple of weeks I was speaking to Mark Johnson (who went on to produce BREAKING BAD) about his vision for a film version of HATER. He asked me if I’d seen PAN’S LABYRINTH. I told him I had, and that I thought it was incredible. He said that was a relief, because he was hoping to get Guillermo del Toro to direct HATER.
Of course, as is often the way, things didn’t work out as planned. Del Toro became involved in Peter Jackson’s adaptation of THE HOBBIT and switched roles to produce HATER, only for the project to stall at a later stage. Even now, more than a decade later, I still get goosebumps thinking about how close we came to a del Toro adaptation of one of my books. And I know this post will inevitably result in folks asking questions about the current position of the HATER movie, so I’ll give you my stock answer: I had a meeting with the producer a week or so ago and the project is still very much alive and kicking. The script is in great shape and we’re just waiting for the stars to align. I’ll share more news the very second I’m able to.
Back to PAN’S LABYRINTH. It’s an astonishing film which rightly deserved the critical acclaim it received on release. Now, many years later, del Toro and author Cornelia Funke have adapted the story into a novel and, thanks to the publisher, I was recently able to read a copy. When I heard about the book I was concerned, and I struggled to understand why the story needed to be retold. Having read it, though, I totally get it. Remind yourself of the beauty of the film then read on below for my thoughts.
It’s 1944 and the Allies have invaded Nazi-held Europe. In Spain, a troop of soldiers are sent to a remote forest to flush out the rebels. They are led by Capitan Vidal, a murdering sadist, and with him are his new wife Carmen and her daughter from a previous marriage, 11-year-old Ofelia. Ofelia witnesses her stepfather’s sadistic brutality and is drawn into Pan’s Labyrinth, a magical world of mythical beings.