The advance copies of ALL ROADS END HERE are in, and will be winging their way to reviewers shortly. Looking forward to hearing what people think of this book which picks up shortly after the events of ONE OF US WILL BE DEAD BY MORNING. It’s a parallel sequel, which takes place in the same place and at the same time as DOG BLOOD.
The book is published in February next year by Thomas Dunne Books and is available to pre-order today. Not yet caught up with the FINAL WAR series? Pick up a copy of ONE OF US WILL BE DEAD BY MORNING and experience the other half of the HATER story.
My friend CRAIG DILOUIE released a new book earlier this month. Craig and I go a long way back and I consider him one of the most interesting voices in genre fiction. You can read my thoughts on his earlier releases TOOTH AND NAIL and SUFFER THE CHILDREN in the archives of this site. What I love about his work is the way he’ll take an extraordinary premise and write about it in a detached yet personal way which pulls no punches. He takes world-changing events like the military response to a fast moving zombie infection or a virulent strain of vampirism which affects only children, and looks at them in a whole new light, often making them feel uncomfortably plausible. His latest release ONE OF US (out now from Orbit) is no exception. It takes the well-used set-up of mutant kids born with special powers, but instead of going down the tired and cliched X-Men superhero route, he instead tells a much darker and altogether more disturbing story of neglect, distrust and hatred.
THEY CALL IT THE PLAGUE – A generation of children born with extreme genetic mutations
THEY CALL IT A HOME – But it’s a place of neglect and forced labour
THEY CALL HIM A FREAK – But Dog is just a boy who wants to be treated as normal
THEY CALL THEM DANGEROUS – They might be right
The story of a lost generation, and a boy who just wants to be one of us.
I thoroughly enjoyed ONE OF US. Set in Georgia in an alternate 1984, it’s a fascinating read. As you’d expect, the grotesques aren’t the real monsters here, rather it’s DiLouie’s cast of prejudiced, cruel, moralistic non-mutants. For me, what sets this story apart is the masterstroke of having the deformed and mutated kids being born as the result of a new strain of sexually transmitted disease. Because this is a generational shift, it allows DiLouie to present us with a cast of ‘special’ kids who grow up together and who therefore both lose their innocence and mature/gain their powers at the same time. This effectively amplifies the problem facing the backward facing society from which the children have been ostracised, and you get the sense from the very beginning of the book that once these kids are fully in control of their destinies, things will never be the same again. Highly recommended.
But ONE OF US isn’t the only Craig DiLouie release I want to tell you about. I’m also very excited to announce that his entry in THE FRONT series – following SCREAMING EAGLES by Tim Long and my novel RED DEVILS – will be released on 31 August. I’ve had the pleasure of reading an advance copy of the book and it definitely doesn’t disappoint. BERLIN OR BUST is a cracking tale which takes us right into the rotting black heart of the undead Nazi war machine. You can pre-order it now.
The weather’s been unprecedented here in the UK recently, with temperatures in the high to mid-twenties every day now for a number of weeks. Apparently we have a couple more weeks of it to look forward to. I’m not complaining – apart from the fact it’s bloody lovely to have a decent summer for the first time in years, it’s also fun to see the effect that a heatwave has on book sales. Whenever the sun appears, STRAIGHT TO YOU has a sales spike.
For a long time I gave away a short story to new mailing list subscribers, but now I’ve upped the ante and produced HOW IT WORKS – a tongue in cheek guide to the inner workings of a typical horror author (me!). The book is available in Kindle and ePub formats, and also as a pdf. As well as a biography, frequently asked questions, and a guide to all my current novels, it also contains SCRATCH – the dystopian zombie novella I wrote for Infected Books’ YEAR OF THE ZOMBIE series.
The ebook is designed as a primer for people who are new to my work, so feel free to pass it on to anyone you think might be interested. Chances are if you’re reading this you’re already well versed in my work, but as the title of this post implies, I’m on the lookout for fresh blood…!
I feel duty bound to draw your attention to CARGO, a top-notch zombie movie which premiered on Netflix this last week. I’ve had my eye on this one for a long time, primarily because of its source material. The film’s based on a stunning short movie which took the zombie-loving world by storm back in 2013. You can watch it here, and I recommend you do. No worries about spoiling the feature length version, because they’re two very different beasts as I’ll explain.
In a desperate bid to outrun a violent pandemic, Andy and Kay have holed up on a houseboat with their one-year-old daughter, Rosie. Their protected river existence is shattered by a violent attack, which sees Kay tragically die and Andy infected. Left with only 48 hours before he transforms into one of the creatures they have fought so long to evade, Andy sets out on a precarious journey to find a new guardian for his child. A flourishing Aboriginal tribe are Rosie’s best chance of survival – but with their merciless attitude toward the afflicted, they also pose a grave threat. A young Indigenous girl becomes Andy’s only chance of safe passage into this sacred community. But unfortunately the girl has no desire to return to her people – she is on a quest to cure her own infected father by returning his stolen soul. Each in their own way is seeking salvation… but they will need to work together if they hope to achieve it.
Hello. Long time no speak. I’ve had my head down writing the final HATER book – CHOKEHOLD – but I’m briefly coming up for air to bring you an important update about ALL ROADS END HERE.
On the whole, I’m pleased with how ONE OF US WILL BE DEAD BY MORNING has been received since its release last December. It’s still getting plenty of good press. Just this month, STARBURST magazine called it “a gripping, visceral read, glistening with gore and studded with extreme brutality and with a relentlessly downbeat tone which will please lovers of hard-edged apocalyptic fiction”, whilst SFBOOK REVIEW said it was “clever, convincing, claustrophobic fiction”. Just yesterday, GEEK SYNDICATE published their verdict, with Ian Simpson noting that by the end of the book “you’re likely to be standing in a pile of gore, or not standing at all.”
My publisher has been looking again at how we publish and market the second HATER trilogy, and we’ve decided that these are books which better suit a paperback release. ONE OF US… was hardcover only and is likely to stay that way until we’ve shifted more copies, but ALL ROADS END HERE and CHOKEHOLD will be released as paperbacks from the get-go.
In the case of ALL ROADS END HERE, this means that publication is going to be delayed, unfortunately. The book will now be released on February 12, 2019.
Apologies for any inconvenience or disappointment. This is definitely the right approach for the series as a whole and I cannot wait for you to read the remaining books. In the meantime, can I suggest you re-read DOG BLOOD? You’ll be catching up with a few familiar faces in some unexpected places in ALL ROADS END HERE…
And again, I’m sorry you’ll have to wait to read the new book. Rest assured I’m working on something to cushion the blow, and I hope to announce an upcoming release for 2018 very soon.
I am working hard to become a bona fide creature of horror. The picture below, ladies and gentleman, is a genuine attempt at a smile. I have developed Bell’s Palsy, and half of my face is currently paralysed. Like a half-hearted version of Two-Face from Batman, I can currently only raise one eyebrow and smile with half my mouth, but I can fix you with a hell of a withering stare from my (genuinely) unblinking left eye. I look an absolute bloody fright. Perfect horror movie fodder.
I’m currently in the middle of writing and planning and editing so haven’t had much to post about for a couple of weeks. I thought I’d take a moment to a). remind you all I’m still alive, and b). give you opportunity to laugh at my (hopefully temporarily) distorted mush. If the books dry up, I could always run away and join a freak show.
Thanks to This is Horror for a great review of ONE OF US WILL BE DEAD BY MORNING. Rich Cosgrove was kind enough to write that “while sharing DNA with John Carpenter’s seminalThe Thing in that it’s effectively a single location exercise in paranoia and mistrust, (One of Us…) is very much its own tale.
One Of Us Will Be Dead By Morning proves once again that David Moody is a significant talent in the UK horror scene, delivering a sharp, insightful study on what it means to feel isolated, not only geographically but socially, and reminding us how uncomfortably quick we are to mistrust and turn on our fellow human beings. If you even remotely like tales of societal breakdown or post-apocalyptic fiction, this book is essential reading.”
So, as I’ve mentioned a couple of times in the last few weeks, I’ve been thinking about the AUTUMN series a lot recently. AUTUMN was the first of my books which really took off. As you may recall, I gave it away free online between 2001 and 2008 (when, strange as it now seems, eBooks were rare and very few people were giving them away), and it was downloaded many hundreds of thousands of times. I wrote a series of sequels which were well received, and the first book was even adapted as an online full cast audio drama which you can still listen to.
But then HATER came along and my focus shifted. I then moved onto other books and projects, and it’s now a sobering five years since the last book – AUTUMN: THE HUMAN CONDITION – was released. Yet even now people still get in touch regularly to tell me how much they’ve enjoyed the series.
When I wrote the very first draft of the very first book, way back in 1997, no one was writing about zombies. Very few people were watching zombie movies, either. In fact, no one was paying zombies any attention in any way, shape or form. But in the years which followed, a totally unexpected thing happened and, for the first time, the living dead became mainstream. In films, Danny Boyle’s 28 DAYS LATER was a huge hit (which sparked endless pointless debate about whether zombies should run or not, and whether or not his infected were zombies at all), and Zack Synder’s remake of George Romero’s ground-breaking DAWN OF THE DEAD bucked the trend and proved that not all remakes were worthless cash-ins. THE WALKING DEAD comic was launched and a number of writers including myself, BRIAN KEENE and DAVID WELLINGTON precipitated the flood of zombie fiction.
And despite hearing rumours to the contrary every few months since then, the bubble hasn’t burst. People still love the living dead.
I’m going to write two more AUTUMN novels. There – I’ve said it out loud and in public now. I have an idea which I can’t stop thinking about and that, for me, is the acid test. If an idea for a book won’t go away, then that book needs writing. I have a couple of other projects to wrap up first, then I’ll dive straight into what I’m currently calling AUTUMN: DAWN. I don’t want to say too much at the moment, but I think the time’s right for these new books. As I’ve already said, the world has changed dramatically since I first wrote AUTUMN. To my mind, zombies have always been the ultimate story-telling device for allowing writers and film-makers to study the human condition. By turning people into something so similar yet inherently different, it enables us to look back and consider what makes us human in the first place. Socially we’re in a vastly different place now to where we were in 2001, and I think it’ll be fascinating to imagine how we’d react to the events of AUTUMN if they took place today. The new books won’t replace the original novels, nor will they undermine them. Same dead world, different people. Not a rehash or reboot. It’s funny… one of the rules of zombie fiction and movies when I first started writing was that the characters had to have an unspoken innocence and couldn’t know what a zombie was. Given the pop culture explosion I’ve just been talking about, there’s no way I could get away with that in the new AUTUMN books!
So what about the movie?
It was released in 2008 to a torrent of abuse and ill-feeling. It creaks and it groans. It was made on a shoestring budget and it shows. People either loved it or hated it (mostly they hated it). I stopped trying to defend it and used the backlash to try and promote the books, working on the dubious premise that there’s no such thing as bad publicity. Tellingly, none of the publishers of the series around the world mentioned the film in their marketing, though an editor who worked on the books did once tell me that ‘it’s always better to have a bad film made of one of your books than no film at all’. And with hindsight, I think I agree. But how bad a film is it? Was all the negativity justified? This week I took a deep breath and watched AUTUMN from start to finish for the first time in a decade. And you know what? I really enjoyed it. I’m under no illusions, it’s not a great movie by any stretch of the imagination, but I don’t think it’s the absolute car crash that most people assume.
Here’s a trailer, and my thoughts follow. And yes, that is me on the DVD cover above.
A fairly predictable film recommendation from me today. I make no secret of the fact that I owe GUILLERMO DEL TORO big time. I’ve never met the man, never even spoken to him directly, but it’s no exaggeration to say that he changed my life. His endorsement of HATER and the movie he almost produced helped propel my gruesome little book from its modest indie roots to a worldwide release which exceeded my wildest expectations. I was trawling through some old clippings the other day and I came across an old interview with him where he talked about it: “…what I love about the premise is that there is a righteousness. It’s not a viral situation, not a contagion, it’s a situation of a social disease. That we can road rage into murdering someone at any second. That it’s a social epidemic is what attracted me. It’s not a zombie movie. The people that kill the people can rationalise why they did it. That’s what is scary about it.”
You can understand why this was such a big deal, but what made it an even bigger deal was the fact I was a huge Guillermo del Toro fan even before this happened. I happened upon a copy of his first movie, CRONOS, shortly after it was released in 1993, and I’d followed his career with interest since then. Or was that his careers? He seems to occupy a unique position whereby he alternates big budget crowd pleasing movies like HELLBOY and PACIFIC RIM with more personal films such as THE DEVIL’S BACKBONE and PAN’S LABYRINTH. His most recent movie, for which he picked up the best director and best picture Oscars at this year’s Academy awards, seems to have brought both of these strands of film-making together.
The premise is simple, the film is outstanding: At a top secret research facility in the 1960s, a lonely janitor forms a unique relationship with an amphibious creature that is being held in captivity.