Well, the final tweaks have just gone off to my editor so I guess I can now announce that the HATER story will continue on 25 September 2018 with the second novel in THE FINAL WAR series: ALL ROADS END HERE. The action picks up a couple of months after the events of ONE OF US WILL BE DEAD BY MORNING and whilst I’m not able to share any specific plot details with you just yet, I can confirm that ALL ROADS takes place in the same location and at the same time as DOG BLOOD. Can’t wait for you to read it.
This will be my last post of 2017, so I just wanted to wish everyone the very best for the holiday season. I hope you and your loved ones have a great time. I also wanted to take this opportunity to thank everyone who’s picked up the new book over the last couple of weeks. ONE OF US WILL BE DEAD BY MORNING has proved to be as polarising as I’d expected. Readers seem to have either really enjoyed it, or they’ve really, really hated it. That’s good! I’d hate for the book to have been met with a shrug of indifference. Here’s a round up of some recent reviews.
“Like the best crime fiction, the violence in One of Us Will Be Dead by Morning has emotional power. You feel it as a reader. You get to see all the physical and emotional scars the cast inflict and the ones they come to bear. When you add that to the book’s great cast, its exciting twists and turns, and the chilling mystery at hand, you’ve got one hell of a novel.” – www.criminalelement.com
“A near-perfect example of humanity fucking up as our last card is played.” – www.dlsreviews.com
“…there are times you want a slow, gentle gothic novel on a warm summer day, and then some days you want to rip and roar through a good, fast read. That’s David Moody for you.” – www.ghastlygrinning.com
“David Moody has a knack for making me feel like a fly on the wall, right there amongst the action but not noticed by the players. One of Us Will Be Dead by Morning brought me within a hair of the Haters and their violence, while I remained nothing but an observer.” – www.2bookloversreviews.com
“David Moody’s Hater series has proven itself worthy of the great post-apocalyptic horror stories and One of Us Will Be Dead by Morning is no slouch of a sequel/fresh start. Fear stems from isolation and rumor, only to be reinforced by quick and brutal violence. This is gut-wrenchingly realistic survival horror.” – horror-underground.com
“Think of a mashup of George Romero and Agatha Christie, and you might have an idea of what awaits you.” – www.20somethingreads.com
A clickbait post title if ever there was one, but there’s a genuine point to this so bear with me. It begins many years ago, when I worked as a manager in a processing centre for a bank, looking after around 100 staff as we wound our centre down to a close. The work we did was being farmed out to newly opened sites overseas, where it could be done at a fraction of the cost, leaving my team and I redundant. I’m glad it happened, all things considered, because leaving the bank gave me a chance to take Infected Books to the next level and turn my part-time writing hobby into a full-time career.
But that’s not what this post is about. I was working on AUTUMN: PURIFICATION at the time, and having to deal with the redeployment of so many people in the real world brought unexpected benefits to my writing. I was able to release my stresses on the page (ever wondered where the inspiration for Samurai sword-wielding Harry Stayt came from?), and if I found myself becoming frustrated by my bosses, members of my team, or other people I was having to deal with at the time, I’d often picture them as a zombie and give them a particularly gruesome death in the book (without mentioning any names, of course, as I’d already got enough to deal with without being sued by anyone who took objection).
My new book which came out last week, ONE OF US WILL BE DEAD BY MORNING, has again reminded me of the usefulness of creating characters based on facets of people you know or who you’ve had interactions with. I find that it really helps keep them grounded and real, and if the characters in a horror novel are believable, it can add an enormous amount of weight to the emotion and impact of the vile situations you drop them into.
At the weekend I went away with my wife, and on the way home we stopped at Crosby Beach near Liverpool where Antony Gormley’s spectacular ANOTHER PLACE is installed. If you’ve not come across it before, it’s a series of 100 cast iron figures placed facing out to sea across a 2 mile stretch of beach. We visited on an ice-cold, exceptionally windy day, and that added to the impact of the sculpture. There’s something really affecting about seeing so many motionless (and emotionless) figures being buffeted and beaten by the waves. It felt quite dystopian, and the picture I took which I’ve posted here reminded me both of Danny McCoyne in THEM OR US, and Matthew Dunne at the beginning of ONE OF US WILL BE DEAD BY MORNING. These characters are the intentional antithesis of each other, and both play pivotal roles in their respective trilogies as you’ll discover as the new series progresses.
When I was at a particularly low ebb a few years ago and my creative spark had been snuffed out, my wise wife said to me ‘how can you write about people anymore when you don’t know any?’. She was right, of course. I’d become a bit of a recluse, and my writing had suffered. I went back to work in an office, intending to stay there for a few months, and I’m still there after more than 3 years (and just by way of an aside, I now manage a team doing pretty much exactly the job I had Danny McCoyne doing in HATERall those years ago!). Though I have less time to write, the writing I produce is far, far better now that I’m mixing with other people on a daily basis again, and dealing with all the emotions of those interactions, both positive and negative. For me, the benefits of having a completely separate day job are clear, and right now it’s something I wouldn’t want to be without.
And that’s the reason for this post, I guess. ONE OF US WILL BE DEAD BY MORNING has been my first major release for some time, and it’s the first novel in which I’ve used characters inspired by the people I’ve recently worked with. Being around such a wide range of people while I’ve been writing the new HATER novels has been bizarrely therapeutic. I don’t really advocate killing your work colleagues, but do take inspiration from them. If you’re anything like me, it’ll help you in both your writing and non-writing careers. It’ll improve the quality of your characters, and it’ll help you get through those challenging business meetings as you imagine the horrific ending you’re going to give to the person currently giving you an ear-bending…
So thanks to the real Ronan Heggarty and Paul O’Keefe, for the inspiration they’ve both unwittingly provided. You don’t know who you are, but I do!
First, the second HATER trilogy now has a name. My editor and I racked our brains long and hard about what to call the new series, and we went through a number of options before settling on our final choice. Cast your minds back to THEM OR US, and you’ll be able to find the genesis for the title… there’s no going back for the human race after the events of the HATER books. The fighting will continue until there’s no one left, so there’s no question that this is THE FINAL WAR.
Second bit of news – the ONE OF US WILL BE DEAD BY MORNING audiobook is also out this week from Macmillan Audio. The excellent chap who narrated the previous HATER audiobooks, Gerard Doyle, is back behind the microphone. Here’s an excerpt to whet your appetite.
I’d like to close this little pre-release round-up with a few words on the new book from Chris Hall of DLS Reviews. Chris has been following my work for a long time and he writes some of the most well-considered reviews on the web. So you can imagine how pleased I was when he finished off his review of ONE OF US WILL BE DEAD BY MORNING with these comments:
This is Moody doing what he does best. This is his natural environment. His turf. This is how he writes his very best work. And it’s utterly, uncompromisingly, gut-wrenching stuff. The novel rips you out of your safe and snug world and thrusts you into an environment where anyone can turn on you in the blink of an eye. It’s hard-hitting, head-poundingly tense, and drenched from head to toe in blood-splattered cruelty.
A near-perfect example of humanity fucking up as our last card is played.
Honest post time… I don’t think I’ve ever been quite so nervous for the release of a new book before. ONE OF US WILL BE DEAD BY MORNING hits the shelves in less than a week and I really don’t know what the reaction’s going to be like. Don’t get me wrong, I’m thrilled with how the book’s turned out, but there’s a lot riding on this. It’s my first major release for a while, and after a few tricky years where writing and I didn’t get on too well, I’m back and I’m nervous to learn if/where I now fit in the modern horror landscape.
ONE OF US WILL BE DEAD BY MORNING is a very different book to HATER, and I worry that people will pick up the new novel expecting more of the same. If you do, you might be disappointed. The original three books exclusively told Danny McCoyne’s story while the new trilogy has a different focus entirely, much wider. I’m also mindful that this is the beginning of a trilogy, and whilst I already know how it’s all going to fit together and who’s going to survive, and where we’ll be jumping in and out of the events of the earlier books, you lot don’t. Perhaps it’s just the self-imposed pressure of following up my most successful novel that’s making me feel so uneasy?
I should shut up and stop writing this post. It’s probably just writer’s paranoia kicking in again. I’m sure any of you who write will have experienced something similar. When you’re planning a book, before you make even a single mark on the very first page, you’re certain it’s going to be the best thing ever. You then go through every kind of emotional up and down imaginable as you’re actually writing the damn thing, and you often end the job with a very real, but also temporary, sense of victory and validation. As you prepare to release your precious creation into the wild, doubt sets in again. You start convincing yourself (well I do, anyway) that no one’s going to buy it and read it, and the merest negative comment in a review hurts like a dagger to the heart whereas glowing praise is hard to accept and believe.
So I just want to say thank you to Peter Wolverton and all at St Martin’s Press for taking a chance on another HATER series, and thanks also to those of you who are planning on picking up the book (or have already). Despite everything I’ve said here, I genuinely can’t wait to be able to talk about ONE OF US WILL BE DEAD BY MORNING with you once you’ve read it. Until then, I’ll be sitting in front of my computer screen obsessing over sales ranks and combing the internet for feedback and reviews. I will actually do some work as well, because I’m almost finished with book two, and it’s been an absolute blast diving back into the deadly, grimy, trouble- and violence-filled world of the DOG BLOOD era. Did I tell you that the second book has been renamed? The new title perfectly sums up both the setting and the emotion of the book: ALL ROADS END HERE.
Bad news – following a couple of orders received this afternoon, we’re now out of stock of the new book. Here’s a photo of the current state of the shelves I showed you in my last post. Note the (almost) total absence of ONE OF US…
“She gasps for breath, her mind in overload, struggling to work out what, who, how, and why? and at the same time trying to cope with the most horrific pain imaginable. It fills her whole body, hurting so much it steals her breath from her lungs. Her arms give way and she hits the deck and rolls over onto her back, looking up into the rain and spray. She’s numb and slow to move, and the chain lashes down again and again. She instinctively raises her hands to protect her face, but it does her no good. Busted fingers, split skin, broken teeth, more blood, and so much more pain that it almost stops hurting.”
The film adaptation of THE RITUAL opened in the UK last weekend, and knowing the book well and having had opportunity to discuss the production of the film with Adam (and the frustrations of film-making for authors – which we talked about on a panel in Liverpool recently – photo below courtesy of Dan Burgess Photography) I was keen to watch it. It didn’t disappoint.
Here’s the blurb and the trailer. Click the link below for my thoughts.
Four old university friends reunite for a hiking trip in the Scandinavian wilderness of the Arctic Circle. No longer young men, they have little left in common and tensions rise as they struggle to connect. Frustrated and tired they take a shortcut that turns their hike into a nightmare that could cost them their lives.
Lost, hungry and surrounded by forest untouched for millennia, they stumble across an isolated old house. Inside, they find the macabre remains of old rites and pagan sacrifices; ancient artefacts and unidentifiable bones. A place of dark ritual and home to a bestial presence that is still present in the ancient forest, and now they’re the prey.
As the four friends struggle toward salvation they discover that death doesn’t come easy among these ancient trees…
I’m really excited that HATER is the first book to be featured on IN THE SHEETS, a new podcast from Brendan Cooney. Each month, Brendan and his audience will pick two books to read, review, and discuss. The author will introduce the book at the beginning of the month, then take part in an extended podcast towards the end of the month to answer any questions and meet the readers.