First, the second HATER trilogy now has a name. My editor and I racked our brains long and hard about what to call the new series, and we went through a number of options before settling on our final choice. Cast your minds back to THEM OR US, and you’ll be able to find the genesis for the title… there’s no going back for the human race after the events of the HATER books. The fighting will continue until there’s no one left, so there’s no question that this is THE FINAL WAR.
Second bit of news – the ONE OF US WILL BE DEAD BY MORNING audiobook is also out this week from Macmillan Audio. The excellent chap who narrated the previous HATER audiobooks, Gerard Doyle, is back behind the microphone. Here’s an excerpt to whet your appetite.
I’d like to close this little pre-release round-up with a few words on the new book from Chris Hall of DLS Reviews. Chris has been following my work for a long time and he writes some of the most well-considered reviews on the web. So you can imagine how pleased I was when he finished off his review of ONE OF US WILL BE DEAD BY MORNING with these comments:
This is Moody doing what he does best. This is his natural environment. His turf. This is how he writes his very best work. And it’s utterly, uncompromisingly, gut-wrenching stuff. The novel rips you out of your safe and snug world and thrusts you into an environment where anyone can turn on you in the blink of an eye. It’s hard-hitting, head-poundingly tense, and drenched from head to toe in blood-splattered cruelty.
A near-perfect example of humanity fucking up as our last card is played.
Honest post time… I don’t think I’ve ever been quite so nervous for the release of a new book before. ONE OF US WILL BE DEAD BY MORNING hits the shelves in less than a week and I really don’t know what the reaction’s going to be like. Don’t get me wrong, I’m thrilled with how the book’s turned out, but there’s a lot riding on this. It’s my first major release for a while, and after a few tricky years where writing and I didn’t get on too well, I’m back and I’m nervous to learn if/where I now fit in the modern horror landscape.
ONE OF US WILL BE DEAD BY MORNING is a very different book to HATER, and I worry that people will pick up the new novel expecting more of the same. If you do, you might be disappointed. The original three books exclusively told Danny McCoyne’s story while the new trilogy has a different focus entirely, much wider. I’m also mindful that this is the beginning of a trilogy, and whilst I already know how it’s all going to fit together and who’s going to survive, and where we’ll be jumping in and out of the events of the earlier books, you lot don’t. Perhaps it’s just the self-imposed pressure of following up my most successful novel that’s making me feel so uneasy?
I should shut up and stop writing this post. It’s probably just writer’s paranoia kicking in again. I’m sure any of you who write will have experienced something similar. When you’re planning a book, before you make even a single mark on the very first page, you’re certain it’s going to be the best thing ever. You then go through every kind of emotional up and down imaginable as you’re actually writing the damn thing, and you often end the job with a very real, but also temporary, sense of victory and validation. As you prepare to release your precious creation into the wild, doubt sets in again. You start convincing yourself (well I do, anyway) that no one’s going to buy it and read it, and the merest negative comment in a review hurts like a dagger to the heart whereas glowing praise is hard to accept and believe.
So I just want to say thank you to Peter Wolverton and all at St Martin’s Press for taking a chance on another HATER series, and thanks also to those of you who are planning on picking up the book (or have already). Despite everything I’ve said here, I genuinely can’t wait to be able to talk about ONE OF US WILL BE DEAD BY MORNING with you once you’ve read it. Until then, I’ll be sitting in front of my computer screen obsessing over sales ranks and combing the internet for feedback and reviews. I will actually do some work as well, because I’m almost finished with book two, and it’s been an absolute blast diving back into the deadly, grimy, trouble- and violence-filled world of the DOG BLOOD era. Did I tell you that the second book has been renamed? The new title perfectly sums up both the setting and the emotion of the book: ALL ROADS END HERE.
Bad news – following a couple of orders received this afternoon, we’re now out of stock of the new book. Here’s a photo of the current state of the shelves I showed you in my last post. Note the (almost) total absence of ONE OF US…
“She gasps for breath, her mind in overload, struggling to work out what, who, how, and why? and at the same time trying to cope with the most horrific pain imaginable. It fills her whole body, hurting so much it steals her breath from her lungs. Her arms give way and she hits the deck and rolls over onto her back, looking up into the rain and spray. She’s numb and slow to move, and the chain lashes down again and again. She instinctively raises her hands to protect her face, but it does her no good. Busted fingers, split skin, broken teeth, more blood, and so much more pain that it almost stops hurting.”
The film adaptation of THE RITUAL opened in the UK last weekend, and knowing the book well and having had opportunity to discuss the production of the film with Adam (and the frustrations of film-making for authors – which we talked about on a panel in Liverpool recently – photo below courtesy of Dan Burgess Photography) I was keen to watch it. It didn’t disappoint.
Here’s the blurb and the trailer. Click the link below for my thoughts.
Four old university friends reunite for a hiking trip in the Scandinavian wilderness of the Arctic Circle. No longer young men, they have little left in common and tensions rise as they struggle to connect. Frustrated and tired they take a shortcut that turns their hike into a nightmare that could cost them their lives.
Lost, hungry and surrounded by forest untouched for millennia, they stumble across an isolated old house. Inside, they find the macabre remains of old rites and pagan sacrifices; ancient artefacts and unidentifiable bones. A place of dark ritual and home to a bestial presence that is still present in the ancient forest, and now they’re the prey.
As the four friends struggle toward salvation they discover that death doesn’t come easy among these ancient trees…
I’m really excited that HATER is the first book to be featured on IN THE SHEETS, a new podcast from Brendan Cooney. Each month, Brendan and his audience will pick two books to read, review, and discuss. The author will introduce the book at the beginning of the month, then take part in an extended podcast towards the end of the month to answer any questions and meet the readers.
First reviews are coming in for the new HATER book, and I’m pleased folks seem to be enjoying it. Here’s the KIRKUS review of the book… They’re saying it’s “another wetwork nightmare that should delight fans of Haters and intrigue writers who wallow in the genre” which sounds good to me!
I’ve told you a lot about it, but I don’t think I’ve properly explained why I’ve been writing a second HATER trilogy. Is it a cynical cash in? A cheap way to drum up interest in my books again after a quiet couple of years? The answer to both those questions is a very definite ‘no’.
The new trilogy has its roots in some of the many movie-related discussions I’ve had about the books over the years. On numerous occasions, producer Ed Barratt and I have talked about TV adaptations (and we came tantalisingly close to getting that off the ground at the turn of this year but, as is so often the way, our plans unravelled at the last moment). Ed and I discussed the issues we’d face trying to translate HATER, DOG BLOOD and THEM OR US to the small screen. Part of the attraction of the books is the fact they focus exclusively on one man’s story, but the more I thought about it, the more I realised that this relatively narrow approach might present problems from a theatrical point of view.
One of the recurring themes of the series is ‘who is the bad guy?’. When the outbreak (or whatever it is) begins in HATER, the natural assumption is that the Haters are the villains. But, for various reasons, we later start to question that assumption, particularly when the extent of the actions taken by the Unchanged to keep themselves safe is revealed. It’s clear that both sides are capable of doing whatever they have to do to survive, and this comes to a head at the end of DOG BLOOD. I’ll be vague in case you’ve not yet read the books (come on, keep up!), but a pretty unspeakable act is carried out by someone. It’s particularly shocking, because that act has huge ramifications for both sides and every surviving individual, Hater and Unchanged alike.
So that got me thinking, are the Unchanged as innocent as I initially thought? Are the Haters as evil and ferocious as they appear? Do the lines ever blur? Are there weaker Haters and stronger Unchanged? How clear is the distinction between the two?
With the release of ONE OF US WILL BE DEAD BY MORNING – the first book in the second HATER trilogy – fast approaching, I thought it would be interesting to start showing you how the two series are connected. They both tell different stories, but there are shared events and locations and… and I’m not going to tell you much more just yet.
With apologies for my limited graphics skills, here’s a handy timeline: