Just checking in with a quick follow up to my recent update post and to explain the ongoing radio silence here right now. I’ve found myself buried neck deep in the HATER world once again, and man, I’m enjoying it. HATER was only ever Danny McCoyne’s story for me, but the more I’ve started to poke around that dark, brutal and relentlessly violent world again, the more the creative juices have started to flow. As soon as I can tell you what I’m dying to tell you, I will. Until then, here’s another piece of stunning artwork which Tomislav Tikulin produced to promote the release of the original novels. This one is a scene from the climax of DOG BLOOD which, incredibly, is five years old next month. Time flies. If you’re new to HATER, visit www.thehatertrilogy.com to find out more.
Hello. I hate not posting here regularly, but there are times when it’s unavoidable. Now is most definitely one of those times. I’ve truly never been busier, though you’d be hard pushed to know given the gap between posts on this site. That’s not likely to change in the next few months, but I think some kind of update is long overdue.
Last weekend I finished writing KAI, a middle-grade novel. I say finished… what I mean by that is I got the book into good enough shape to be able to fire it over to my agent for his feedback, and I’m now waiting nervously for him to get back to me. I’m keeping the story close to my chest. For now I’ll describe it as a weird hybrid of ET and Godzilla, and I’ll leave it at that.
Next week I start a new novel – the first book in the SPACES BETWEEN series (at long last). It was called TOMMY, but it’s now been re-named ELYSIAN FIELDS. I’m in the habit of teasing future projects by referring to their influences, so how does Blade Runner by way of Breaking Bad by way of Nordic Noir with more than a touch of Quatermass sound?
I’ve managed to catch up with Wayne Simmons a couple of times recently, and we’ve been busily plotting and planning the future of Infected Books. We have a few IB releases scheduled between now and the end of this year, but much of our time has been spent working on something massive for 2016. That’s the whole of 2016.
It’s funny – there are some books which never seem to want to go away. That’s a good thing, I think. One of those books is HATER, and it’s been occupying a lot of my time again recently. I have a meeting scheduled for later this week. I can’t say too much just yet, but for those of you who’ve given up hope of ever seeing HATER on the big screen, don’t. More news as and when I’m allowed to share.
And a quick question to whet your appetites/ test the water… going back to HATER again has given me the spark of an idea for a (non-Danny McCoyne) standalone HATER novel. It’s almost four years since THEM OR US hit the shelves, so is that something you’d still be interested in reading?
So that about sums up what I’ve been doing in the first four months of 2015. It’s heads down again now, but please do keep checking back. I have plenty of film and book recommendations planned, the return of WHAT WORKS FOR ME, guest posts and much more. And if you want the scoop on any of the projects I’ve just mentioned, this is where you’ll get it!
I’ve just discovered that a new edition of HATER is released this month. SALGIN (which translates as Epidemic) is about to be published in Turkey by Artemis. This is my first Turkish release, and it’s very satisfying to see new versions of the book still hitting the shelves after all this time. Incredibly, the first, self-published Infected Books edition is almost nine years old, and it’s six years since Thomas Dunne Books in the US and Gollancz in the UK gave the book its first mass market releases. I actually think HATER is more relevant today than ever. There are a lot of uncomfortable parallels to be drawn with some current world events…
But whenever I mention HATER, I get a flood of questions asking ‘what about the movie?’. You’ve had years of me telling you to be patient, that I’ll have some news soon. Just a little while longer now, I promise. Things are beginning to happen.
As a responsible father, I think it’s important to ensure my kids have a solid all round education. As such, I see it as my duty to introduce them to cultural milestones. Last night I did just that (I am being sarcastic here, by the way), sitting down with the girls for a family viewing of Danny Boyle‘s seminal 28 DAYS LATER. It had been many years since I’d seen the film, and I was interested to see how it stood up today: what was considered ground-breaking in 2002 might have appeared cliched today. To my surprise, I think I enjoyed the movie more than I ever have done.
A quick glance at my Recommendations page revealed that I’ve never written about this hugely influential movie for this site, so I thought I’d remedy that right now. As usual, a brief synopsis and trailer follows. Click on the link for my thoughts.
An infirmary patient awakens from a coma to an empty room…in a vacant hospital…in a deserted city. A powerful virus, which locks victims into a permanent state of murderous rage, has transformed the world around him into a seemingly desolate wasteland. Now a handful of survivors must fight to stay alive, unaware that the worst is yet to come…
A lesser-known movie recommendation for a lazy Sunday afternoon…
My family has a thing about Psychology. My wife has three degrees in the subject (yes, three!), one of my daughters is following in her footsteps having recently graduated with first class honours, and another of the girls has just embarked on her first Psychology qualification. Me? I’m interested too, but in a far less academic way. I’ve said it countless times, but I’ll say it again anyway – I’m a people watcher. I’m not much interested in who did what study or experiment or anything like that, I just like to sit back and watch what happens when people are forced to endure extreme circumstances (ie, in most of my books, the end of the world).
This week I want to recommend a film that should appeal to the psychology academics in your life (like my missus) as well as the dystopian thrill-seekers (like me). THE WAVE (DIE WELLE) is a 2008 German production directed by Dennis Gansel and based on a 1981 novel by Todd Strasser. A high school teacher’s unusual experiment to demonstrate to his students what life is like under a dictatorship spins horribly out of control when he forms a social unit with a life of its own.
Summer’s definitely over now, and I’ve been looking back at some of the movies I managed to get to see. Without a doubt, DAWN OF THE PLANET OF THE APES was the film I was looking forward to seeing most and, surprisingly, I thought it almost completely delivered.
It’ll serve little purpose if I review the movie this late in the day because I expect you’ve either a). already seen it and made up your own minds, or b). you’ve heard enough about it to know whether you want to see it or not. To summarise, though, it’s a technically stunning film with some great performances, an intense storyline, superb action scenes, and some of the most realistic animation you’re likely to see in a long time. I highly recommend it.
I’ve long been a fan of the APES movies. I’ve seen the original films countless number of times, and I’ve even managed to make it all the way through the abominable Tim Burton remake more than once. I was thinking about why I love the Apes concept so much when it struck me: it’s the same central conceit as zombies, isn’t it? Replace the apes with the undead, and you’ve got a very similar set-up. The apes are just another in a long line of variations on us versus them, and these movies work so well because of the increasingly thin line which separates one side from the other.
In fact, when I left the cinema after seeing DAWN, I couldn’t help thinking about HATER. With HATER, you could argue the only real difference between one side and the other is perspective. They’re pretty much otherwise indistinguishable from one another (unless you are a Hater, of course…).
Incredibly, it’s now seven long years since the HATER movie rights were first acquired, and although the cameras almost rolled back in 2009, there’s been very little movement on the project since then. But that might be about to change. I can’t say much at the moment (there’s not actually very much to say), but some positive initial discussions have been taking place with a view to getting HATER on the big screen.
So all this rambling finally leads me to my question. Seven years is a long time… do you still want to see a HATER movie? If so, what are your hopes and fears for the project? Personally, I think there’s never been a better time (as the success of our ape friends has illustrated), but what do you think? I’d really appreciate it if you could take a few minutes to let me know.
And as soon as I have any definite news, I’ll post it here.
It’s been several months since I last posted anything in my What Works For Me series of writing tips/ thoughts. There are several very good reasons for that. Most importantly, I’ve been spending a lot of time trying to work out what exactly does work for me.
You’ll probably have seen endless debate online over the last few months about the merits of independent versus traditional publishing, and also about the position/ value of indie authors as highlighted by the ongoing Hachette vs. Amazon debacle.
I started out Indie. I was Indie before most. I’m so old school that I genuinely used to email pdf and Word versions of AUTUMN to interested folks back in the day. I did well from it, and if I hadn’t done what I’d done, I’d probably have never written HATER and it might not have found its way onto the desk of the folks who passed it on to Guillermo del Toro all those years ago… When Thomas Dunne Books of New York made an offer for the publishing rights back in 2007, I didn’t hesitate to accept.
So now we’re another seven years or so down the line, and the marketplace has changed beyond all recognition. Indie authors are in a better place now: more accepted, and with better tools and technologies at their disposal.
THE COST OF LIVING proved to be a turning point for me. I’ve been stunned by the success of my little ebook – it’s sold remarkably well and has opened my eyes to the full potential of independent publishing again. With the recent relaunch/ rebranding of INFECTED BOOKS, I feel like I’ve regained the control you inevitably lose when you publish traditionally, and I’m ready to take full advantage of that.
So, to stop a long story getting any longer, I’ll just say this: for now, although I’m technically what you’d call a Hybrid author, I feel 100% Indie again. So what does this mean? Well, for a start you should watch for another surprise release later this week (you can pre-order it now – I’ll tell you more tomorrow), and then look out for STRANGERS – my brand new, full-length novel, coming from Infected Books in November this year.
NIGHT OF THE TRIFFIDS is a book I avoided reading for a very long time. As many of you might know, whenever I’m asked to cite my favourite book or the book that’s had the biggest influence on me, I always talk about John Wyndham’s seminal DAY OF THE TRIFFIDS, and the idea of a non-Wyndham sequel never appealed to me in the slightest. But then I got to know the author, Simon Clark. I’d heard a lot about Simon when HATER was first released, with people mentioning my book alongside his BLOOD CRAZY (a great read which I must feature here in the near future). Simon and I both had stories appear in the MAMMOTH BOOK OF BODY HORROR and we met at an event to launch the book a few years back. I caught up with him again at a convention a while later, and was able to talk to him about all things triffid-related. It was immediately clear that this was no cash-in: he wrote a sequel because of his love of Wyndham’s original.
First published in 1991 and given a long-overdue re-release this month, the book takes place some twenty-five years after the events of DAY. Here’s the synopsis. Click the link below for my thoughts.
“In John Wyndham’s classic bestseller The Day of the Triffids, the world has been overwhelmed by killer plants that have blinded almost the entire population. As the novel ends, Wyndham’s narrator scientist Bill Masen is escaping, with his wife and four-year-old son, to the Isle of Wight where a small colony of survivors is holding out. Simon Clark’s sequel picks up the story twenty-five years on.
The survivors are safe, for the time being at least, on their island, where they have continued efforts to combat the triffids, while also striving in various ways to build a new civilization – in a Mother House, for example, women spend their lives endlessly giving birth. Elsewhere in the world, similar colonies cling to survival, while the triffids persist in their attempts to destroy humanity.
One morning Bill Masen’s son, David, now grown up, wakes to a world plunged into darkness. Now, the triffids have an advantage over even sighted humanity.”