A fairly predictable film recommendation from me today. I make no secret of the fact that I owe GUILLERMO DEL TORO big time. I’ve never met the man, never even spoken to him directly, but it’s no exaggeration to say that he changed my life. His endorsement of HATER and the movie he almost produced helped propel my gruesome little book from its modest indie roots to a worldwide release which exceeded my wildest expectations. I was trawling through some old clippings the other day and I came across an old interview with him where he talked about it: “…what I love about the premise is that there is a righteousness. It’s not a viral situation, not a contagion, it’s a situation of a social disease. That we can road rage into murdering someone at any second. That it’s a social epidemic is what attracted me. It’s not a zombie movie. The people that kill the people can rationalise why they did it. That’s what is scary about it.”
You can understand why this was such a big deal, but what made it an even bigger deal was the fact I was a huge Guillermo del Toro fan even before this happened. I happened upon a copy of his first movie, CRONOS, shortly after it was released in 1993, and I’d followed his career with interest since then. Or was that his careers? He seems to occupy a unique position whereby he alternates big budget crowd pleasing movies like HELLBOY and PACIFIC RIM with more personal films such as THE DEVIL’S BACKBONE and PAN’S LABYRINTH. His most recent movie, for which he picked up the best director and best picture Oscars at this year’s Academy awards, seems to have brought both of these strands of film-making together.
The premise is simple, the film is outstanding: At a top secret research facility in the 1960s, a lonely janitor forms a unique relationship with an amphibious creature that is being held in captivity.
An interesting theme (which, coincidentally, is one of the underlying themes of TRUST) is how hard it is for an individual to hold on to their own beliefs in the face of massive opposition from everyone else. Today’s Post-Apocalyptic Movie Club selection is about just that. In TRUST, Tom Winter remains unsure about the aliens whilst everyone else seems intent on welcoming them with open arms. In TAKE SHELTER, Curtis (played by the excellent Michael Shannon), is convinced the world’s about to end. The bottom line is simple and stark: he’s either right or he’s insane.
Curtis is an ordinary man who works hard for the family he dotes over. He has a wife and a very young, profoundly deaf daughter, and he’s a well-respected member of the tight-knit local community. But he also has a problem. He is experiencing apocalyptic visions of increasing severity with increasing regularity. As the visions continue, he begins to question his sanity. And as he struggles to maintain his grip on reality – building a shelter, stocking up on food etc. – his behaviour becomes an increasing concern to all those around him.
I thoroughly enjoyed TAKE SHELTER. It’s a very well made and acted film (particular kudos to writer/director Jeff Nicholls), and key to its success is the fact that no one – Curtis, the people who love him, the audience watching – knows if he’s right or wrong until the last scene. Special effects are used sparingly and to good effect, and the central uncertainty gives the film a sense of real unease which grows by the minute. Put yourself in his shoes… you love your family more than anything else in the world and you’d do absolutely anything to protect them. If you thought there was even the slightest chance that Armageddon was looming on the horizon, could you just sit back and do nothing?
Here’s the trailer. Grab a copy of the film and find out for yourself if Curtis is right or if he’s got it very, very wrong.