The advance copies of ALL ROADS END HERE are in, and will be winging their way to reviewers shortly. Looking forward to hearing what people think of this book which picks up shortly after the events of ONE OF US WILL BE DEAD BY MORNING. It’s a parallel sequel, which takes place in the same place and at the same time as DOG BLOOD.
The book is published in February next year by Thomas Dunne Books and is available to pre-order today. Not yet caught up with the FINAL WAR series? Pick up a copy of ONE OF US WILL BE DEAD BY MORNING and experience the other half of the HATER story.
Hello. Long time no speak. I’ve had my head down writing the final HATER book – CHOKEHOLD – but I’m briefly coming up for air to bring you an important update about ALL ROADS END HERE.
On the whole, I’m pleased with how ONE OF US WILL BE DEAD BY MORNING has been received since its release last December. It’s still getting plenty of good press. Just this month, STARBURST magazine called it “a gripping, visceral read, glistening with gore and studded with extreme brutality and with a relentlessly downbeat tone which will please lovers of hard-edged apocalyptic fiction”, whilst SFBOOK REVIEW said it was “clever, convincing, claustrophobic fiction”. Just yesterday, GEEK SYNDICATE published their verdict, with Ian Simpson noting that by the end of the book “you’re likely to be standing in a pile of gore, or not standing at all.”
My publisher has been looking again at how we publish and market the second HATER trilogy, and we’ve decided that these are books which better suit a paperback release. ONE OF US… was hardcover only and is likely to stay that way until we’ve shifted more copies, but ALL ROADS END HERE and CHOKEHOLD will be released as paperbacks from the get-go.
In the case of ALL ROADS END HERE, this means that publication is going to be delayed, unfortunately. The book will now be released on February 12, 2019.
Apologies for any inconvenience or disappointment. This is definitely the right approach for the series as a whole and I cannot wait for you to read the remaining books. In the meantime, can I suggest you re-read DOG BLOOD? You’ll be catching up with a few familiar faces in some unexpected places in ALL ROADS END HERE…
And again, I’m sorry you’ll have to wait to read the new book. Rest assured I’m working on something to cushion the blow, and I hope to announce an upcoming release for 2018 very soon.
Thanks to This is Horror for a great review of ONE OF US WILL BE DEAD BY MORNING. Rich Cosgrove was kind enough to write that “while sharing DNA with John Carpenter’s seminalThe Thing in that it’s effectively a single location exercise in paranoia and mistrust, (One of Us…) is very much its own tale.
One Of Us Will Be Dead By Morning proves once again that David Moody is a significant talent in the UK horror scene, delivering a sharp, insightful study on what it means to feel isolated, not only geographically but socially, and reminding us how uncomfortably quick we are to mistrust and turn on our fellow human beings. If you even remotely like tales of societal breakdown or post-apocalyptic fiction, this book is essential reading.”
It’s been an odd few weeks (though, to be honest, I’ve forgotten what a normal few weeks is supposed to feel like). I’ve spent a lot of time travelling, culminating in my first trip to Iceland which was the single most surprising and invigorating place I’ve been in a long time. Seriously, if we get word that the end of the world is imminent, I’m booking myself another ticket over there. It’s a remarkably quiet, remote, welcoming, and self-contained country. More about that another time. I’m sure I’ll set a book there one day.
Right now, though, my mind is focused on the setting for one of my earlier versions of the apocalypse – the town of Lowestoft, as featured in THEM OR US, the final book in the first HATER trilogy. At the moment I’m outlining CHOKEHOLD – the final book in the second HATER trilogy (hope you’re keeping up with all these book numbers!) which bridges the gap between the end of DOG BLOOD/ALL ROADS END HERE and THEM OR US.
I wanted to brush up on my HATER history, so I’ve worked my way through the original books while I’ve been developing the new series. It’s a weird feeling when you go back and read your own work. I don’t know what it’s like for other writers, but it always catches me by surprise. I remember most of the plot twists and can finish many lines in my head long before my eyes have reached the full-stop at the end of the sentence, and yet there always seems to be plenty I’ve forgotten too. I’ve enjoyed reading HATER and DOG BLOOD for the first time in years, but THEM OR US has been a different experience altogether because reading it followed the recent passing of my mother-in-law.
Betty was the indirect inspiration for THEM OR US. I’ve written here before about how my in-laws’ decision to relocate to Lowestoft in 2004 resulted in me getting to know this most unusual of towns. I’ve a real personal affection for the place, but because of its geographic location (it’s the most easterly point in the UK), it’s often overlooked. Generally, you don’t go to Lowestoft unless you’re going to Lowestoft. It’s not on the way to anywhere, and in many ways it feels like the end of the line. It has a suitably apocalyptic edge which made it the perfect setting for Danny McCoyne’s last stand.
It’s taken Matthew Dunne almost three months to get home. Never more than a few metres from the Haters at any time, every single step has been fraught with danger. But he’s made it.
In his absence, his home city has become a sprawling, walled-off refugee camp. But the camp – and the entire world beyond its borders – is balanced on a knife-edge. During his time in the wilderness, Matt developed a skill which is in high demand: the ability to anticipate and predict Hater behaviour. It’s these skills that will thrust him into a web of subterfuge and danger. As the pressure mounts inside the camp, he finds himself under scrutiny from all sides.
He’s always done his best to avoid trouble, but sometimes it can’t be helped. The shit’s about to hit the fan, and this time Matt’s right at the epicentre.
Well, the final tweaks have just gone off to my editor so I guess I can now announce that the HATER story will continue on 25 September 2018 with the second novel in THE FINAL WAR series: ALL ROADS END HERE. The action picks up a couple of months after the events of ONE OF US WILL BE DEAD BY MORNING and whilst I’m not able to share any specific plot details with you just yet, I can confirm that ALL ROADS takes place in the same location and at the same time as DOG BLOOD. Can’t wait for you to read it.
This will be my last post of 2017, so I just wanted to wish everyone the very best for the holiday season. I hope you and your loved ones have a great time. I also wanted to take this opportunity to thank everyone who’s picked up the new book over the last couple of weeks. ONE OF US WILL BE DEAD BY MORNING has proved to be as polarising as I’d expected. Readers seem to have either really enjoyed it, or they’ve really, really hated it. That’s good! I’d hate for the book to have been met with a shrug of indifference. Here’s a round up of some recent reviews.
“Like the best crime fiction, the violence in One of Us Will Be Dead by Morning has emotional power. You feel it as a reader. You get to see all the physical and emotional scars the cast inflict and the ones they come to bear. When you add that to the book’s great cast, its exciting twists and turns, and the chilling mystery at hand, you’ve got one hell of a novel.” – www.criminalelement.com
“A near-perfect example of humanity fucking up as our last card is played.” – www.dlsreviews.com
“…there are times you want a slow, gentle gothic novel on a warm summer day, and then some days you want to rip and roar through a good, fast read. That’s David Moody for you.” – www.ghastlygrinning.com
“David Moody has a knack for making me feel like a fly on the wall, right there amongst the action but not noticed by the players. One of Us Will Be Dead by Morning brought me within a hair of the Haters and their violence, while I remained nothing but an observer.” – www.2bookloversreviews.com
“David Moody’s Hater series has proven itself worthy of the great post-apocalyptic horror stories and One of Us Will Be Dead by Morning is no slouch of a sequel/fresh start. Fear stems from isolation and rumor, only to be reinforced by quick and brutal violence. This is gut-wrenchingly realistic survival horror.” – horror-underground.com
“Think of a mashup of George Romero and Agatha Christie, and you might have an idea of what awaits you.” – www.20somethingreads.com
A clickbait post title if ever there was one, but there’s a genuine point to this so bear with me. It begins many years ago, when I worked as a manager in a processing centre for a bank, looking after around 100 staff as we wound our centre down to a close. The work we did was being farmed out to newly opened sites overseas, where it could be done at a fraction of the cost, leaving my team and I redundant. I’m glad it happened, all things considered, because leaving the bank gave me a chance to take Infected Books to the next level and turn my part-time writing hobby into a full-time career.
But that’s not what this post is about. I was working on AUTUMN: PURIFICATION at the time, and having to deal with the redeployment of so many people in the real world brought unexpected benefits to my writing. I was able to release my stresses on the page (ever wondered where the inspiration for Samurai sword-wielding Harry Stayt came from?), and if I found myself becoming frustrated by my bosses, members of my team, or other people I was having to deal with at the time, I’d often picture them as a zombie and give them a particularly gruesome death in the book (without mentioning any names, of course, as I’d already got enough to deal with without being sued by anyone who took objection).
My new book which came out last week, ONE OF US WILL BE DEAD BY MORNING, has again reminded me of the usefulness of creating characters based on facets of people you know or who you’ve had interactions with. I find that it really helps keep them grounded and real, and if the characters in a horror novel are believable, it can add an enormous amount of weight to the emotion and impact of the vile situations you drop them into.
At the weekend I went away with my wife, and on the way home we stopped at Crosby Beach near Liverpool where Antony Gormley’s spectacular ANOTHER PLACE is installed. If you’ve not come across it before, it’s a series of 100 cast iron figures placed facing out to sea across a 2 mile stretch of beach. We visited on an ice-cold, exceptionally windy day, and that added to the impact of the sculpture. There’s something really affecting about seeing so many motionless (and emotionless) figures being buffeted and beaten by the waves. It felt quite dystopian, and the picture I took which I’ve posted here reminded me both of Danny McCoyne in THEM OR US, and Matthew Dunne at the beginning of ONE OF US WILL BE DEAD BY MORNING. These characters are the intentional antithesis of each other, and both play pivotal roles in their respective trilogies as you’ll discover as the new series progresses.
When I was at a particularly low ebb a few years ago and my creative spark had been snuffed out, my wise wife said to me ‘how can you write about people anymore when you don’t know any?’. She was right, of course. I’d become a bit of a recluse, and my writing had suffered. I went back to work in an office, intending to stay there for a few months, and I’m still there after more than 3 years (and just by way of an aside, I now manage a team doing pretty much exactly the job I had Danny McCoyne doing in HATERall those years ago!). Though I have less time to write, the writing I produce is far, far better now that I’m mixing with other people on a daily basis again, and dealing with all the emotions of those interactions, both positive and negative. For me, the benefits of having a completely separate day job are clear, and right now it’s something I wouldn’t want to be without.
And that’s the reason for this post, I guess. ONE OF US WILL BE DEAD BY MORNING has been my first major release for some time, and it’s the first novel in which I’ve used characters inspired by the people I’ve recently worked with. Being around such a wide range of people while I’ve been writing the new HATER novels has been bizarrely therapeutic. I don’t really advocate killing your work colleagues, but do take inspiration from them. If you’re anything like me, it’ll help you in both your writing and non-writing careers. It’ll improve the quality of your characters, and it’ll help you get through those challenging business meetings as you imagine the horrific ending you’re going to give to the person currently giving you an ear-bending…
So thanks to the real Ronan Heggarty and Paul O’Keefe, for the inspiration they’ve both unwittingly provided. You don’t know who you are, but I do!
First, the second HATER trilogy now has a name. My editor and I racked our brains long and hard about what to call the new series, and we went through a number of options before settling on our final choice. Cast your minds back to THEM OR US, and you’ll be able to find the genesis for the title… there’s no going back for the human race after the events of the HATER books. The fighting will continue until there’s no one left, so there’s no question that this is THE FINAL WAR.
Second bit of news – the ONE OF US WILL BE DEAD BY MORNING audiobook is also out this week from Macmillan Audio. The excellent chap who narrated the previous HATER audiobooks, Gerard Doyle, is back behind the microphone. Here’s an excerpt to whet your appetite.
I’d like to close this little pre-release round-up with a few words on the new book from Chris Hall of DLS Reviews. Chris has been following my work for a long time and he writes some of the most well-considered reviews on the web. So you can imagine how pleased I was when he finished off his review of ONE OF US WILL BE DEAD BY MORNING with these comments:
This is Moody doing what he does best. This is his natural environment. His turf. This is how he writes his very best work. And it’s utterly, uncompromisingly, gut-wrenching stuff. The novel rips you out of your safe and snug world and thrusts you into an environment where anyone can turn on you in the blink of an eye. It’s hard-hitting, head-poundingly tense, and drenched from head to toe in blood-splattered cruelty.
A near-perfect example of humanity fucking up as our last card is played.