It’s about time I started posting a few more film and book recommendations here, and what better place to start than with a well-made, lo-fi, slow-burn apocalyptic movie. IT COMES AT NIGHT is a really good movie, which appeared to have been sold really badly (perhaps intentionally) by the marketing team behind it. I thought it was a great film, but it wasn’t the film I thought I was going to see. Here’s a synopsis and a trailer. Click the link below for my brief thoughts.
Secure within a desolate home as an unnatural threat terrorises the world, the tenuous order a man (Joel Edgerton) has established with his wife and son is put to the ultimate test with the arrival of a desperate family seeking refuge. Despite the best intentions of both families, paranoia and mistrust boil over as the horrors outside creep ever-closer, awakening something hidden and monstrous within the man as he learns that the protection of his family comes at the cost of his soul.
Last night I finally caught up with the rest of the zombie-loving world and watched TRAIN TO BUSAN. In case you’ve been living under a rock for the last twelve months, it’s a critically lauded South Korean zombie movie which has proved yet again that there’s still plenty of life in the zombie sub-genre. So did it meet my high expectations? Not exactly, but I found it to be a thoroughly enjoyable and very well made movie.
TRAIN TO BUSAN is a harrowing zombie horror-thriller that follows a group of terrified passengers fighting their way through a countrywide viral outbreak while trapped on a suspicion-filled, blood-drenched bullet train ride to Busan, a southern resort city that has managed to hold off the zombie hordes – or so everyone hopes.
I’m not a historian or a military buff, so I had very few obvious reference points when I started writing THE FRONT: RED DEVILS (which was released this week, in case I hadn’t mentioned). Much of the second half of the book is set in the fictional surrounds of a concentration camp at Polonezköy, Poland. I had a very clear image in my head of how parts of the camp would look, and that got me thinking about a long-forgotten horror movie I’d always planned to watch but hadn’t been able to locate. That movie was MICHAEL MANN’STHE KEEP. Whilst not a great film by any stretch of the imagination, I certainly enjoyed it enough to recommend it to you here.
It is World War II in German-occupied Romania. Nazi soldiers have been sent to garrison a mysterious fortress, but a nightmarish discovery is soon made. The Keep was not built to keep anything out. The massive structure was, in fact, built to keep something in…
Wind the clock back a decade, and you’d have found far fewer zombie novels on the shelves than today. There was just a handful of us telling tales of the undead back then… myself, Brian Keene, David Wellington, and Joe McKinney to name but a few. Back to today, and it’s great to see all of my old undead compatriots still producing plenty of top-quality horror fiction. Joe, in particular, has been consistently prolific.
I was honoured a while back to be asked to write an introduction for DEAD WORLD RESURRECTION: THE COLLECTED ZOMBIE SHORT STORIES OF JOE MCKINNEY and I of course jumped at the chance. In this collection (which was recently released by Journalstone), all of Joe’s zombie shorts are gathered together. I hardly need to do the hard sell, do I? This is definitely a book I’d recommend you pick up, and I’ll quote myself as proof (if that’s not too pretentious): “In this collection, by writing about the living dead, Joe has reminded us what’s so great about being one of the living. I hope you enjoy reading (or re-reading) these stories as much as I have.”
And while we’re on the subject, I’ve got another interesting film piece coming up for you tomorrow (hopefully), and I’ve also got another 40 or so movies queued up to watch and review. But I want more! If you’ve got a particular favourite post-apocalyptic movie that you’d like featured on the site, either contact me or leave the name in the comments here or on Facebook or Twitter.
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