Now I like my character-driven horror fiction to be dark, but in his most recent book, Craig DiLouie has taken dark to a new extreme.
SUFFER THE CHILDREN (out now from Simon and Schuster/Permuted Press) is a genuinely horrific book, extraordinarily uncomfortable reading. DiLouie takes that most precious of things – the relationship between a parent and their child – and pushes it beyond breaking point. The synopsis follows. Click the link below for some thoughts on the book from Craig himself.
“One day, the children die. Three days later, they come back. And ask for blood.
With blood, they stop being dead. They become the children they once were.
But only for a short time. Too soon, they die again. And need more blood to live …
The average body holds ten pints of blood. How far would you go for your child?”
And while we’re on the subject, I’ve got another interesting film piece coming up for you tomorrow (hopefully), and I’ve also got another 40 or so movies queued up to watch and review. But I want more! If you’ve got a particular favourite post-apocalyptic movie that you’d like featured on the site, either contact me or leave the name in the comments here or on Facebook or Twitter.
By now Wayne Simmons should need no introduction. He’s a good friend, my industry partner in crime, and a fine writer. His new novel, PLASTIC JESUS, was recently released by Salt Publishing, and it goes without saying that I’m going to recommend you read it. But I’m not just saying that because Wayne’s my mate, I’m saying it because PLASTIC JESUS is an original and thought-provoking novel and it’s a damn good read. The book has a wonderfully realised setting (more about Lark City in a minute), and a cast of genuinely interesting (and hopelessly flawed) characters. Here’s the blurb. Click the link below to find out more.
Plastic Jesus grabs you by the throat. From the opening paragraph, without warning, it plunges you into a world of fear and confusion and visceral emotion. When it spews you back out again, you are left dizzy, overwhelmed – and desperate to read more. And it’s then that you take your first fearful steps into Lark City…
It is the near future, following a devastating Holy War. Once part of the US colonies, Maalside, the New Republic, now stands alone in the Pacific, separated from the heartland by 200 miles of salty ocean. Lark City is its capital, watched over by a 50 foot, pouting, stiletto-heeled and garter-belted ‘Miss Liberty’, a crude parody of the famous landmark across the water.
In this brutal neon jungle, Code Guy Johnny Lyon writes a Jesus social networking AI, to rebrand religion following the war. But something goes wrong; a virtual hell breaks on the streets of Lark – a violent, surreal and uncontrollable social breakdown.
Caught in this terrifying web of danger are Sarah Lee, Johnny’s co-worker, drug lord Paul McBride who is determined to exploit the chaos to wipe out his enemies, and McBride’s junkie daughter, a prostitute called Kitty.
Now, only Johnny can save Sarah, Kitty and the city.
Paul’s back with a new novella – SLEEPER(S). It’s a great book with a real Quatermass-like vibe to it, and I was honoured to be asked to write the introduction. Here’s the blurb:
“The sleepy English locality of Middletown is about to get even sleepier, as a strange malady starts to affect the population. It spreads quickly, causing the authorities to quarantine this small city, and seek out the only person who might be able to help: Doctor Andrew Strauss. However, Strauss has a secret, one that has linked him to this place all his life, one that has linked him to a particular person there, though he doesn’t yet know who. But he’s not the only one hiding things – and as he ventures into Middletown to collect samples with an army escort, a mixture of UK and US troops, cracks soon begin to appear in the operation. Especially when his team come up against the most terrifying threat humankind has ever known…”
I wanted to talk about WORLD WAR Z for a couple of reasons. A discussion of the film follows (stick around for a half hour video review from Mr Simmons and I) but, before that, I have a more personal reason to be interested.
For a long time I’ve thought that the immediate future of the zombie sub-genre would, to a large extent, hinge on the success or failure of the WWZ movie. It’s fair to say that after all the well-documented issues with budgets and scripts and reshoots etc., I don’t think anyone expected the success the film has had, nor for a sequel to have been greenlit so rapidly. That has to be a good thing, I think, and I’m hopeful that, as a result, Hollywood will have a renewed interest in large budget, zombie-style movies. I would say that… the HATER movie rights have just been re-optioned.
As an enjoyable, effects-laden, dumb old zombie flick, WWZ certainly delivered. As an adaptation of Max Brook’s novel, however, it failed on just about every level. But does that really matter? Looking at things from my perspective, with a film adaptation of Hater on the horizon, I can see two sides. Sure I’d like a fairly literal interpretation of my original story to be filmed, but I’d also like the publicity and sales that a more commercial movie would hopefully generate. I have to accept that such publicity and sales might come at the expense of the integrity of my story. As wrong as it might sound, at this stage in my career with mouths to feed and bills to pay and many projects in the pipeline but few under contract, if I’m honest I’d have to say I’d rather take the cash. With Guillermo del Toro still attached to Hater I’m happy to take that chance of course, and regardless of how any movie turned out, my original book would still be available. It’s not like it would disappear or be replaced. Despite his understandable frustrations with the filmmakers, I’m sure Max Brooks is more than happy with the thousands and thousands of people who’ve picked up his book because of the film…
Right, back to WWZ. Rather than write a long blog post, I’ll let Wayne and I do the talking.
If you’ve not yet read the book, I’d definitely recommend it. If you have and you’ve seen the film, what were your thoughts on the movie adaptation, and what are your hopes/fears for a Hater adaptation? I’d be really interested to hear them. Let me know in the comments or on Facebook or Twitter etc.
A while back I was sent a copy of a new zombie novel to blurb. Nothing unusual about that you might think, but when I looked into the history of the book and its author, I immediately wanted to know more. You see, THE RETURN MAN by V M Zito had very similar beginnings to AUTUMN.
Zito had been dabbling in short fiction writing for some time, but when it came to writing his first novel, he didn’t want to risk shutting himself away in isolation: “I knew I’d go mad in a vacuum of space and time if I locked myself in my office for a year, working on a single project. I was nervous about going so long without a sense of completion, or feedback, or knowing if I was on the right or wrong track. Posting chapters online, one at a time, was a great way around that dilemma; the feedback and support I received from online readers kept me motivated and engaged in the writing process. I think I’ve grown from the experience, and writing a second novel the “traditional way” would be possible for me now – but I’m pretty sure this first one would still be a draft on my desktop if I hadn’t gone online.” Those words certainly rang a few bells with me!
THE RETURN MAN is a novel I thoroughly enjoyed. Here’s the blurb:
“The outbreak tore the USA in two. The east remains a safe haven. The west has become a ravaged wilderness. They call it the Evacuated States. It is here that Henry Marco makes his living. Hired by grieving relatives, he tracks down the dead to deliver peace.
Now Homeland Security wants Marco, for a mission unlike any other. He must return to California, where the apocalypse began. Where a secret is hidden. And where his own tragic past waits to punish him again.
But in the wastelands of America, you never know who – or what – is watching you . . .”
I talked to Zito about the book and his influences. Watch the trailer, then click the link below to read more.
Last December I recommended OUTPOST – Adam Baker’s Arctic-set thriller. Today I present the prequel: JUGGERNAUT. I’m pleased to report that Adam’s written another cracker here. It’s the fast-paced, sun-scorched story of the genesis of the disease which has destroyed the world in Outpost, all set against the beautifully rendered backdrop of war-torn Iraq.
“Iraq 2005 – Seven mercenaries journey deep into the desert in search of Saddam’s gold. They form an unlikely crew of battle-scarred privateers, killers and thieves, veterans of a dozen war zones, each of them anxious to make one last score before their luck runs out.They will soon find themselves marooned among ancient ruins, caught in a desperate battle for their lives, confronted by greed, betrayal, and an army that won’t stay dead…”
Great characters, an amazing level of detail, an insane yet wholly believable plot – Juggernaut is an excellent read, full of grotesque images and unexpected revelations.
Something else I’m planning to do with increased regularity throughout 2012 is recommend more books. I have a massive ‘to read’ pile which I’m steadily working my way through (actually, make that a ‘to blurb’ pile*), and I thought it would be good feature here some of the books I’ve recently blurbed and genuinely enjoyed. No reviews as such, just the publisher’s blurb, my blurb and, occasionally, a few words from the author.
Okay, I’m several months late with this one, and most self-respecting zombie fans will already know about it or own it, but I’d like to recommend Jonathan Maberry’s DEAD OF NIGHT.
“A prison doctor injects a condemned serial killer with a formula designed to keep his consciousness awake while his body rots in the grave. But all drugs have unforeseen side-effects. Before he could be buried, the killer wakes up. Hungry. Infected. Contagious. This is the way the world ends. Not with a bang… but a bite.”
Great stuff as usual from Maberry. This is a fast-paced, by the numbers zombie story, written with confidence and style by a man who knows a thing or two about the living dead. I have a fascination with what goes on inside a zombie’s brain: do they remember anything? Are they trapped and helpless? Are they as evil as we frequently assume them to be, or are they victims too? One of the highlights of Dead of Night for me was the way Maberry handles this question, presenting a terrifying disconnection between the reanimated corpses and the conscience which once controlled them.
I said: “Dead of Night stands drooped head and lurching shoulders above most zombie novels. The nightmare increases exponentially – from minor outbreak to major crisis with unstoppable speed, building to a heart-stopping climax you won’t be able to put down.”
Highly recommended reading!
* On the subject of blurbs – I’ve committed to enough to last me about six months, and I’m steadily working my way through them. Please don’t send any more my way, because there’s just no way I’ll be able to read them for the foreseeable future. Sorry to be a pain. Thanks for understanding!
I spent much of last week sitting around a swimming pool in the sun (wish I was back there now…). As well as making me realise I’m writing for the wrong market if I ever want to make serious money from books (I was the only one reading horror while a huge volume of chick-lit and formulaic pulp fiction was being continually consumed all around me), it was a great opportunity to read a few books because I wanted to, not because I’d been asked to or I’d promised to. Don’t get me wrong, I’m always happy to blurb whenever I can, but there’s something supremely satisfying about choosing a book from your shelf and reading it because you’re in the mood to read it, no other reason.
The book at the top of my pile last week was ONE by Conrad Williams.
“This is the United Kingdom, but it’s no country you know. No place you ever want to see, even in the shuttered madness of your worst dreams. But you survived. One man.”
ONE blew me away. Beautifully written (I am supremely jealous of Williams’ descriptive skills), it’s the story of Richard Jane, a diver working on a rig in the North Sea. As Jane and his colleagues rise to the surface, dead fish and bodies sink the other way – the first indication that something terrible has happened. By the time he makes it back to dry land several days later, it’s clear that the world he remembers is gone forever. The land around him is scarred beyond recognition, every living person dead. The rain burns like acid, and the sky is a constantly swirling mass of browns and reds. Bewildered and terrified, Jane has no option but to walk virtually the entire length of the devastated country back to London, back to his son.
Another book from the catch-up pile… This should have been posted before Christmas(!) so apologies to Mat from Quirk.
What’s the definition of good summer holiday reading? Escapism? Humour? A collision of two disparate but well loved genres in a story about a convention full of science-fiction geeks being devoured by bloodthirsty zombies controlled by an alien intelligence?
I’d heard about Night of the Living Trekkies (by Kevin David Anderson and Sam Stall) at a convention, strangely enough, and I was intrigued. I’m not a huge fan of the idea of mash-up books – it often seems like a lazy way of making a quick buck (although there are exceptions, of course). Even though this book is an original story rather than a mangled classic, I approached it with trepidation. Could zombies and Star Trek be successfully combined? The answer… just about.
I think I pretty much summed up the plot in my first paragraph. It’s simple and uncomplicated, and that’s okay. The by-the-numbers zombie action at the heart of the book is really secondary to the characters and setting. To get the most out of NOTLT, you need at least a working knowledge of Star Trek because it’s crammed with references and in-jokes. Characters, locations, and dialogue are filled with nods to Trek with even the chapters being named after episodes. It’s actually done extremely well, as is Anderson and Stall’s handling of that most deep-rooted of science-fiction rivalries – the conflict between Star Trek and Star Wars fans.