This week I’m pleased to present a very timely guest post from another of Moody’s Survivors, Jonathan Wood, who talks about one of his (and my) favourite films – Ridley Scott’s seminal 1979 classic, ALIEN. I’m sure there are very few people who’ve yet to see the film, but if you’re one of them, please be warned: spoilers ahead.
The death of H R Giger earlier this month saddened me. A true genius and visionary, his name became synonymous with biomechanics – fusion of the human body and machinery. A futuristic surrealist, it wasn’t until around 1979 that Giger came to the world’s attention for his work on ALIEN. Director Ridley Scott took the theme of a haunted house in space and created a masterpiece of modern horror/sci-fi, thanks in no small part to Giger’s unforgettable biomechanoid xenomorph.
ALIEN was a movie that terrified me as a teenager. And when I say terrified, I really do mean it. After watching the film I think I slept with the light on for about three or four days after, such was the profound effect it had on me. ALIEN has also influenced my own work with it’s principal themes of claustrophobia, surprise, and the steady build up of terror in a story which is all the more terrifying for what we don’t see.