And I still have a few codes for free audiobooks – TRUST, STRAIGHT TO YOU, THE COST OF LIVING and STRANGERS. Fill in this form if you want one. There aren’t too many left, so be quick. I’ll remove the form from this post when they’re all gone.
Ebooks were absolutely fundamental to me finding an audience back in the day, so I always like to give the annual READ AN EBOOK WEEK a mention. If you read German, can I cheekily recommend my recent release LEBENSHALTUNGSKOSTEN. Or, if you’re a Kindle Unlimited subscriber, why not check out THE LAST BIG THING, which has recently been added to the program.
Or here’s an even better idea… visit a site like SMASHWORDS or AMAZON, shell out a few quid and take a punt on a brand new author.
I was sorry to hear about the death of Amazon’s Matchbook today. Matchbook allowed readers to get heavily discounted or free versions of the print books they bought from the site.
As a writer and a publisher, I believe in fairness and in not ripping off my readers. I think if you buy a print version of an Infected Books title, you should automatically get an eBook version too. Matchbook helped me to do that. But there is an alternative solution. Buy a signed copy of one of my Infected Books releases and you’ll be able to download an eBook version immediately. Conversely, if you’ve bought a digital version and you’d like a signed print version as well, you can let me know and I’ll discount the print book by the cost of the eBook you’ve already bought*.
I’ve got my head down working on a new novel at the moment, so things are relatively quiet around here. I thought I’d share a free story with you to keep your attention!
I released THE LAST BIG THING in January – a collection of some of my favourite of the short stories I’ve written. The collection includes a number of new stories, one of which is AWAY WITH THE FAIRIES. You can read it here.
This week is READ AN EBOOK WEEK – a long-standing initiative that I’ve been pleased to support for a number of years. The debate over the merits of print books versus ebooks versus audiobooks will never be settled – I believe each format has its plusses and minuses, and what suits one reader (or listener) might not suit the next. I just try and make my books available in as many formats as I can, and I also try not to exploit my readers by asking them to buy the same book many times over. Never forget – if you buy a signed copy of a title published by Infected Books from www.infectedbooks.co.uk, you’ll immediately be able to download a complementary ebook version. Similarly, buy a print Infected Books title from Amazon, and you can claim a Kindle copy through the Kindle Matchbook programme.
My career was built on a foundation of ebooks. If I hadn’t been able to give so many copies of AUTUMN away (somewhere in the region of half a million by the time the free download disappeared in 2008), then I doubt anyone would have ever heard of me. So please, download and read an ebook this week. And when you’re done, please review and share. Recommendations are invaluable for authors and are always appreciated.
All my recent talk of book launches and anniversaries has left me thinking about what I’ve achieved as a writer and what I still want to achieve. If I think of my career in terms of how a farmer manages their fields, then I’d say I’m currently in a fallow period after a couple of pretty decent harvests. I caught the crest of two waves originally when I a) started publishing independently before most others, and b) wrote about zombies just as the living dead became massively popular. And then, a few years later, I enjoyed another prolonged purple patch when Guillermo del Toro somehow stumbled on a copy of HATER and, for a time, everyone wanted a bit of me.
For those of us who just happen to love writing and who hate self-publicising with a passion, being an author is not the easiest of career choices. You keep doing it because you can’t stop, and with every page you write you convince yourself that this could be the next big thing, even though you know that competition to actually be the next big thing is impossibly fierce. And then when you’ve finished writing and you hand your work to someone else to read, all the confidence you’ve built up evaporates and turns to crippling self-doubt. Well it does for me, anyway.
A frustrating amount of this is completely out of the writer’s control. You don’t control the market, you have no influence on current trends, you can do little to make sure yours is the right book seen in the right place at the right time… and yet, we keep at it. Sometimes even the very thing you’re trying to write can conspire against you.
Congratulations to REBECCA ALLEN, STEPHANIE FITZGIBBONS and ANDY RALSTON who will be receiving an advance review copy of ALL ROADS END HERE along with their signed copies of THE LAST BIG THING. Thanks to everyone who pre-ordered.
And apologies to everyone who pre-ordered, too. Your books haven’t yet been dispatched. There’s been a slight delay in receiving the copies from the printers for signing. I hope to get them out to you in the next few days and I’m really sorry for keeping you waiting. I hope this is okay, but don’t hesitate to let me know if not.
Thanks to those of you who’ve already pre-ordered THE LAST BIG THING. I’m humbled by the number of folks who’ve picked up a copy, and I’m anxiously/nervously looking forward to hearing what you think. Don’t forget – if you’ve pre-ordered a signed copy from Infected Books, you can download a complementary ebook version straightaway and get reading immediately.
I’ve mentioned the art that Craig Paton put together for the book. As you’d expect with a collection like this, the cover is a grouping together of a number of disparate ideas. One of the new stories is about a band, and that’s where the initial idea for the artwork came from: a faded and torn tour poster that’s been pasted to a wall. Craig had a lot of fun adding loads of Easter eggs and in-jokes to the rest of the wall which I’m sure you’ll appreciate once you’ve read the collection. If you’re reading this piece on my website, you should be able to see a small sample immediately to your right.
I’ve been wanting to release this book for quite some time as I’ve built up a stockpile of short stories and it’s often the case that years after publication they can sometimes prove difficult for people to find. As you’d expect, there’s a certain amount of my trademark Moody bleakness in there with apocalyptic stories like THE LUCKY ONES, but it’s not all about the end of the world (for once). Once I looked back at the finished collection, I realised just to what extent some of my biggest influences have shaped much of what I’ve written over the years. My love of 1950s B movies and obscure 1970s horror films comes to the fore in stories like BIG MAN and ALMOST FOREVER, whereas OSTRICH, THE DEAL and NOLAN HIGGS IS OUT OF HIS DEPTH wouldn’t be out of place as episodes of TALES OF THE UNEXPECTED or THE TWILIGHT ZONE (aka the greatest TV show in history).
THE LAST BIG THING also marks the first time that my one and (currently) only HATER short story – EVERYTHING AND NOTHING – has appeared in print. It’s an interesting little off-cut which takes place in the days running up to the events of DOG BLOOD and which features a certain Danny McCoyne taking a break from the fighting and realising how close he is to home…