Thanks to This is Horror for a great review of ONE OF US WILL BE DEAD BY MORNING. Rich Cosgrove was kind enough to write that “while sharing DNA with John Carpenter’s seminalThe Thing in that it’s effectively a single location exercise in paranoia and mistrust, (One of Us…) is very much its own tale.
One Of Us Will Be Dead By Morning proves once again that David Moody is a significant talent in the UK horror scene, delivering a sharp, insightful study on what it means to feel isolated, not only geographically but socially, and reminding us how uncomfortably quick we are to mistrust and turn on our fellow human beings. If you even remotely like tales of societal breakdown or post-apocalyptic fiction, this book is essential reading.”
I’ve got some more HATER news for you: I’m writing a new HATER book. Actually, I’m writing three.
For me, the original HATER series was nicely self-contained. Although the whole world had gone crazy and imploded, the books were first and foremost Danny McCoyne’s story. I resisted even thinking about writing other books for a long time because I’d told all of Danny’s story and without a damn good reason to go back to the world of HATER, I thought any additional novels would just be a cynical cash in.
Enter Ed Barratt.
I introduced you to Ed last week. He’s the producer of the new HATER movie, and over the last few months he and I have talked extensively about how, if the first movie is successful, we’d want the rest of Danny’s story to be adapted for screen. The second HATER trilogy is a direct result of those conversations.
Details are pretty sparse at the moment, but click the link and I’ll tell you what I know.
Regular readers will know that I’m usually one of the first to moan about the film industry’s habit of remaking old movies. I stand by most of my previous comments, in that remakes are often a lame excuse to capitalise on the goodwill an older version of a movie has garnered (case in point, pretty much every remake of 1970’s and 1980’s horror – Nightmare on Elm Street, Friday the 13th, The Hills Have Eyes, Texas Chainsaw, and so on). Occasionally the original film-makers will be involved, and a remake will make sense (such as the 2013 Evil Dead… you could also argue that Evil Dead II was a remake of sorts of the 1981 original). There remains another category of remakes, and it just so happens that three of these updated versions of classic films rank in my top ten horror movies of all time. This is where new film-makers put a present day spin on horror tales which, quite often, were well made but were limited in some way – perhaps by the technology of the day, or maybe the social landscape has changed to give a story increased relevance. Two of three films I’m referring to here are David Cronenberg’s stunning The Fly, and John Carpenter’s ground-breaking The Thing.
Today’s movie recommendation, however, is a 1979 remake of a 1956 original which, although perhaps not quite scaling the heights of the Cronenberg and Carpenter movies I’ve just mentioned, is still an excellent example of a remake done right. I’m talking about Philip Kaufman’s 1978 INVASION OF THE BODY SNATCHERS.
This week’s selection for my Post-Apocalyptic Movie Club is a film I did all I could to avoid watching for a long time. I mean, another Night of the Living Dead remake? Made on a shoestring budget… in Wales? A recipe for disaster, right? Wrong.
The director of NIGHT OF THE LIVING DEAD: RESURRECTION, James Plumb, and a number of his sidekicks from Mad Science Films were at last October’s SCARDIFF event, though I didn’t get chance to speak to them. I got talking to Wayne Simmons after the event (who, as you’ll probably remember, is one of the good folks behind Scardiff). Wayne recommended I watch NOTLD:R. He said he thought I’d be surprised by it, and I was.
Watch the trailer below then click the link for my thoughts and some words from James Plumb.
Today’s Post-Apocalyptic Movie Club recommendation is an interesting little film which, as you can see from the title of this post, has been known by numerous titles. All the recent press has been for BLOOD GLACIER, so that’s what I’ll stick with.
BLOOD GLACIER (Germany, 2013) owes much to John Carpenter’s seminal remake of THE THING from 1982. A group of scientists working in the German Alps discover a glacier stained with an ominous-looking red liquid. The unknown pollutant has a deadly effect on local wildlife, and the scientists (and others) soon find themselves under siege from all manner of mutant creatures. The movie’s directed by Marvin Kren, who also directed the well respected 2010 zombie film, RAMMBLOCK: BERLIN UNDEAD.
Here’s the trailer. Hit the link below for my thoughts.
I’ve got a few book recommendations to share with you over the coming weeks, and today it’s the turn of Adam Baker’s wonderful OUTPOST. A few months back I saw the cover popping up with increasingly regularity online and I was intrigued. Several people recommended the book to me and when I discovered that Adam himself was a member of Moody’s Survivors, I immediately got hold of a copy. For anyone who hasn’t yet read it, here’s the blurb:
“They took the job to escape the world. They didn’t expect the world to end.
Kasker Rampart: a derelict refinery platform moored in the Arctic Ocean. A skeleton crew of fifteen fight boredom and despair as they wait for a relief ship to take them home.
But the world beyond their frozen wasteland has gone to hell. Cities lie ravaged by a global pandemic. One by one TV channels die, replaced by silent wavebands.
The Rampart crew are marooned. They must survive the long Arctic winter, then make their way home alone. They battle starvation and hypothermia, unaware that the deadly contagion that has devastated the world is heading their way…”
OUTPOST is a great, fast read. Baker presents a truly nightmarish scenario (on many levels) which twists and turns like you wouldn’t believe. Considering the isolation and inaccessibility of the refinery location, he manages to spin the tale off in several unexpected directions whilst still maintaining an air of claustrophobic hopelessness. I really enjoyed the book, and I contacted Adam to ask a few questions about the novel and his career in general.