Maggie

When I heard that Arnold Schwarzenegger was starring in a zombie movie, I wasn’t interested. For me, the best zombie stories are about the surviving characters and how they deal with the dead, and by deal with the dead, I mean how they fight to stay safe and alive, not how many corpses they can kill and how big the guns and bombs they use are.

I’ve never been the biggest Schwarzenegger fan. Sure, I’ll happily watch the first two (maybe three) Terminator movies again and again, Total Recall is superb, and the first Predator movie is an eighties classic, but Arnie’s never been a personal favourite, and the thought of the ageing all-action, ex-bodybuilding, ex-politician rampaging through hordes of the living dead just didn’t appeal. When I heard more about the project – MAGGIE – I became more interested. And when I got around to watching the movie, I realised my preconceptions were misplaced. MAGGIE’s not perfect by any stretch of the imagination, but it’s a damn good little movie (yes, little movie), and Schwarzenegger is a revelation.

As a viral pandemic spreads across America, Wade Vogel (Arnold Schwarzenegger) searches for his runaway daughter Maggie (Abigail Breslin) and finds her in the quarantine wing of a hospital. Wade brings his daughter back home to his family for the short time before the teenager begins a painful metamorphosis.

Determined to hold onto his precious daughter as long as he can and refusing to hand her over to the local police Wade edges ever closer to a time where he will have to take matters into his own hands.

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