Remember when Wayne Simmons and I embarked on our ‘Never Trust a Man with Hair‘ tour a couple of years back? Well, we’re getting the band back together!
I’m very excited to announce we’ll be appearing together at Southcart Books in Walsall on February 21 at 3:00pm. Hear us read, bicker, reminisce, talk about the future of Infected Books and publishing as a whole, and generally put the world to rights.
Unfortunately it looks like I’m now not going to be able to make it, but I wanted to give a plug to this year’s SCARDiff on 19 October. Last year’s inaugural expo was one of the best events of 2013, so can I urge everyone who can to get themselves down to Cardiff for a day chockfull of cracking horror. Tickets are a miserly £6.66 – an absolute steal. Click the image below or visit the website at www.scardiff.co.uk to find out more.
I’ve a surprise Infected Books release to tell you about today – but it’s not something I’ve written. Instead, I’m delighted to welcome Wayne Simmons to the Infected Books fold with his nasty little ebook short: THE GIRL IN THE BASEMENT.
If you’re a regular here, you’ll know Wayne and I go way back. You’ll also know that I’ve a number of plans in place to dramatically expand the reach of my Infected empire (books now, films next…), and this is part of those plans. This release came about as a result of endless hours spent travelling between events, discussing publishing as a whole and our own takes on the ongoing (and, frankly, boring as hell) traditional versus independent publishing debate.
It just goes to show the effect a format can have on the story you’re trying to tell.
The first incarnation of THE COST OF LIVING came back in 2010 when I was invited to put together a story for John Joseph Adams’ excellent LIVING DEAD 2 anthology. A different tale altogether ended up in the book (WHO WE USED TO BE), but I also finished PRIORITIES – the 5,000 word short story of mom, dad and disgruntled older son, trapped in their home at Dad’s insistence with no way out, surrounded by hordes of zombies.
I wasn’t entirely satisfied with the story. A while later I was invited to write a piece of flash fiction by my friends at THIS IS HORROR, and I decided to strip back THE COST OF LIVING to bare bones. Just 750 words.
But I still wasn’t happy. It seemed to me that whenever I tried to write the story, I was being curtailed by its length. I never saw THE COST OF LIVING as being long enough to make a full novel, but I knew it needed more than the short formats I’d already tried. So, at the beginning of this year, I started writing again with the sole aim of telling the story I wanted, irrespective of word count and length.
And I’m absolutely blown away by the reception you’ve given the 38,000 word novella version of THE COST OF LIVING, so much so that I’m planning to return to the format sooner rather than later. One novella a month, perhaps?
Wayne Simmons says: “THE COST OF LIVING is character-driven zombie horror at its very best. No fan of the genre should be without it.” And Chris Hall at DLSReviews.com says the book is: “A truly superb post-apocalyptic story.”
I had some great responses to my post about planning last week, several from fellow authors who were keen to tell me how they do things. As I keep taking great pains to work out, the What Works For Me posts are exactly that: what works for me.I thought it would be interesting, though, to share What Works For Them. It illustrates perfectly my point that there are no ‘one size fits all’ rules to writing.
By now Wayne Simmons should need no introduction. He’s a good friend, my industry partner in crime, and a fine writer. His new novel, PLASTIC JESUS, was recently released by Salt Publishing, and it goes without saying that I’m going to recommend you read it. But I’m not just saying that because Wayne’s my mate, I’m saying it because PLASTIC JESUS is an original and thought-provoking novel and it’s a damn good read. The book has a wonderfully realised setting (more about Lark City in a minute), and a cast of genuinely interesting (and hopelessly flawed) characters. Here’s the blurb. Click the link below to find out more.
Plastic Jesus grabs you by the throat. From the opening paragraph, without warning, it plunges you into a world of fear and confusion and visceral emotion. When it spews you back out again, you are left dizzy, overwhelmed – and desperate to read more. And it’s then that you take your first fearful steps into Lark City…
It is the near future, following a devastating Holy War. Once part of the US colonies, Maalside, the New Republic, now stands alone in the Pacific, separated from the heartland by 200 miles of salty ocean. Lark City is its capital, watched over by a 50 foot, pouting, stiletto-heeled and garter-belted ‘Miss Liberty’, a crude parody of the famous landmark across the water.
In this brutal neon jungle, Code Guy Johnny Lyon writes a Jesus social networking AI, to rebrand religion following the war. But something goes wrong; a virtual hell breaks on the streets of Lark – a violent, surreal and uncontrollable social breakdown.
Caught in this terrifying web of danger are Sarah Lee, Johnny’s co-worker, drug lord Paul McBride who is determined to exploit the chaos to wipe out his enemies, and McBride’s junkie daughter, a prostitute called Kitty.
Now, only Johnny can save Sarah, Kitty and the city.
This is a quick post to publicly thank Zombie Ed and everyone involved in the UK Festival of Zombie Culture last Saturday. As always it was an excellent event: a gracious host (Ed), the usual suspects (myself, Wayne Simmons, Adam Millard and Sean T Page), loads of great traders (the Zombie Shop team) and staff, and about 500 rabid fans all crammed into the Phoenix arts centre in Leicester to watch a marathon thirteen hours of zombie movies (click here to see what you missed).
Since I started writing zombie books we’ve become overrun by the living dead. Back then there only seemed to be me, Brian Keene, David Wellington and a handful of others doing anything with zombies, but over the course of the last decade our undead friends have shuffled out from the fringes of horror to take up their current position right in the middle of the mainstream. In some respects that’s great, but I’ve been increasingly worried that zombie fatigue will soon start setting in. On the basis of what I saw in Leicester this weekend, we’ve got absolutely nothing to worry about.
A picture tells a thousand words they say, so I’ll save myself some typing and let these excellent photographs from the very talented Grace Elkin do all the talking instead. You can see the rest of her pictures here.
Make sure you’re signed up to receive the Zombie Times (click here if you’re not signed up already), and do yourself a favour: when tickets for the 2014 event go on sale, get in quick. This is an annual event that no self-respecting zombie fan can afford to miss. Special thanks, as always, must go to the man in the first photo below: the driving force behind the festival and the Zombie Times, the one and only Zombie Ed.
A belated thank you to everyone involved in putting together the magnificent SCARdiff festival in Cardiff a couple of weeks back. It was an excellent event – very well attended and supported. This was a horror expo created by fans of the genre for fans of the genre, and as such it was a huge success. Congratulations to Wayne and the team. I got to hang out with some great folks, and I’ve posted a few photographs below (one stolen from Rich Hawkins, the other from Zoe Millard – hope you don’t mind, Zoe and Rich!). You’ll also find a clip from S4C (in Welsh) about the Expo which, even though you probably won’t understand it, will give you a better indication of how great a day it was than I could if I wrote for another couple of pages…
David Moody and Dominic Brunt (Before Dawn)
Photo by Zoe Millard
Adam Millard, me, Wayne Simmons and Rich Hawkins (photo: Sara Hawkins)
This coming weekend sees the second AUTUMN: HORROR IN THE EAST convention in Lowestoft. It’s a FREE event, so if you’re in the area please come down and say hello. This year sees a rare showing of the BBC’s notorious GHOSTWATCH with special guests in attendance. Can’t wait. All the details you need are here.