You’ll remember the name James Plumb from earlier posts. He’s a fellow SCARdiff alumni, and director of NIGHT OF THE LIVING DEAD: RESURRECTION, which I talked about here. James was kind enough to let me watch his new movie, KERB CRAWLERS, ahead of release. The long and the short of it: this is a sick, twisted and depraved little movie. And I loved every second of it. Here’s the synopsis and a trailer (warning, definitely NSFW – don’t watch if you’re easily offended). Click the link below for my thoughts.
Hired to make a depraved snuff movie, five men abduct a young woman to be their plaything for the night. However once the cameras start rolling so do heads as they discover their victim belongs to another… something living inside of her… something monstrous. The tables now turned, the men will receive a lesson on true pain and torture as they become the “stars” of the film.
A quick reminder of a couple of live events coming up towards the end of February.
On Saturday 21 at 3:00pm I’ll be at SOUTHCART BOOKS in Walsall alongside Wayne Simmons. We’ll be doing one of our famous ‘double-headers’ – talking, reading, signing books and taking questions about our work and the business of writing in general. More details can be found here. And as you can see from the picture to the right, creepy store mascot Claude the Clown is already getting in the mood.
A few days later on Tuesday 24 at 10:00pm (subject to confirmation), I’ll be taking part in the first ever live THIS IS HORROR podcast. You can find more information about the show here, and please send in any questions you’d like answered. We’ll do our best to get through as many of them as we can. Get yourself in the mood by listening to our free JOE AND ME audiobook, and while you’re at it, why not subscribe to the This is Horror podcast using the following links: iTunes / RSS
Remember when Wayne Simmons and I embarked on our ‘Never Trust a Man with Hair‘ tour a couple of years back? Well, we’re getting the band back together!
I’m very excited to announce we’ll be appearing together at Southcart Books in Walsall on February 21 at 3:00pm. Hear us read, bicker, reminisce, talk about the future of Infected Books and publishing as a whole, and generally put the world to rights.
Unfortunately it looks like I’m now not going to be able to make it, but I wanted to give a plug to this year’s SCARDiff on 19 October. Last year’s inaugural expo was one of the best events of 2013, so can I urge everyone who can to get themselves down to Cardiff for a day chockfull of cracking horror. Tickets are a miserly £6.66 – an absolute steal. Click the image below or visit the website at www.scardiff.co.uk to find out more.
I’ve a surprise Infected Books release to tell you about today – but it’s not something I’ve written. Instead, I’m delighted to welcome Wayne Simmons to the Infected Books fold with his nasty little ebook short: THE GIRL IN THE BASEMENT.
If you’re a regular here, you’ll know Wayne and I go way back. You’ll also know that I’ve a number of plans in place to dramatically expand the reach of my Infected empire (books now, films next…), and this is part of those plans. This release came about as a result of endless hours spent travelling between events, discussing publishing as a whole and our own takes on the ongoing (and, frankly, boring as hell) traditional versus independent publishing debate.
It just goes to show the effect a format can have on the story you’re trying to tell.
The first incarnation of THE COST OF LIVING came back in 2010 when I was invited to put together a story for John Joseph Adams’ excellent LIVING DEAD 2 anthology. A different tale altogether ended up in the book (WHO WE USED TO BE), but I also finished PRIORITIES – the 5,000 word short story of mom, dad and disgruntled older son, trapped in their home at Dad’s insistence with no way out, surrounded by hordes of zombies.
I wasn’t entirely satisfied with the story. A while later I was invited to write a piece of flash fiction by my friends at THIS IS HORROR, and I decided to strip back THE COST OF LIVING to bare bones. Just 750 words.
But I still wasn’t happy. It seemed to me that whenever I tried to write the story, I was being curtailed by its length. I never saw THE COST OF LIVING as being long enough to make a full novel, but I knew it needed more than the short formats I’d already tried. So, at the beginning of this year, I started writing again with the sole aim of telling the story I wanted, irrespective of word count and length.
And I’m absolutely blown away by the reception you’ve given the 38,000 word novella version of THE COST OF LIVING, so much so that I’m planning to return to the format sooner rather than later. One novella a month, perhaps?
Wayne Simmons says: “THE COST OF LIVING is character-driven zombie horror at its very best. No fan of the genre should be without it.” And Chris Hall at DLSReviews.com says the book is: “A truly superb post-apocalyptic story.”
I had some great responses to my post about planning last week, several from fellow authors who were keen to tell me how they do things. As I keep taking great pains to work out, the What Works For Me posts are exactly that: what works for me.I thought it would be interesting, though, to share What Works For Them. It illustrates perfectly my point that there are no ‘one size fits all’ rules to writing.
By now Wayne Simmons should need no introduction. He’s a good friend, my industry partner in crime, and a fine writer. His new novel, PLASTIC JESUS, was recently released by Salt Publishing, and it goes without saying that I’m going to recommend you read it. But I’m not just saying that because Wayne’s my mate, I’m saying it because PLASTIC JESUS is an original and thought-provoking novel and it’s a damn good read. The book has a wonderfully realised setting (more about Lark City in a minute), and a cast of genuinely interesting (and hopelessly flawed) characters. Here’s the blurb. Click the link below to find out more.
Plastic Jesus grabs you by the throat. From the opening paragraph, without warning, it plunges you into a world of fear and confusion and visceral emotion. When it spews you back out again, you are left dizzy, overwhelmed – and desperate to read more. And it’s then that you take your first fearful steps into Lark City…
It is the near future, following a devastating Holy War. Once part of the US colonies, Maalside, the New Republic, now stands alone in the Pacific, separated from the heartland by 200 miles of salty ocean. Lark City is its capital, watched over by a 50 foot, pouting, stiletto-heeled and garter-belted ‘Miss Liberty’, a crude parody of the famous landmark across the water.
In this brutal neon jungle, Code Guy Johnny Lyon writes a Jesus social networking AI, to rebrand religion following the war. But something goes wrong; a virtual hell breaks on the streets of Lark – a violent, surreal and uncontrollable social breakdown.
Caught in this terrifying web of danger are Sarah Lee, Johnny’s co-worker, drug lord Paul McBride who is determined to exploit the chaos to wipe out his enemies, and McBride’s junkie daughter, a prostitute called Kitty.
Now, only Johnny can save Sarah, Kitty and the city.