Last night I finally caught up with the rest of the zombie-loving world and watched TRAIN TO BUSAN. In case you’ve been living under a rock for the last twelve months, it’s a critically lauded South Korean zombie movie which has proved yet again that there’s still plenty of life in the zombie sub-genre. So did it meet my high expectations? Not exactly, but I found it to be a thoroughly enjoyable and very well made movie.
TRAIN TO BUSAN is a harrowing zombie horror-thriller that follows a group of terrified passengers fighting their way through a countrywide viral outbreak while trapped on a suspicion-filled, blood-drenched bullet train ride to Busan, a southern resort city that has managed to hold off the zombie hordes – or so everyone hopes.
It broke my heart this week to see the trailer for the SyFy channel’s unnecessary remake of the Terry Gilliam classic, 12 MONKEYS, which looked about as good as I expected (i.e. not good at all). 12 MONKEYS is a favourite film of mine, and I realised I hadn’t written about it for this site. So I’m putting that right today, and adding the movie to the Post-Apocalyptic Movie Club.
You know, of the slew of (almost exclusively inferior) remakes announced and produced over the last few years, 12 MONKEYS is one that hurts the most. And that’s ironic, because the film is a remake of sorts itself, being based on LA JETEE – a 1962 post-apocalyptic French short directed by Chris Marker, told entirely through still images and narration.
The premise of 12 MONKEYS is beautifully simple: “In a future world devastated by disease, a convict is sent back in time to gather information about the man-made virus that wiped out most of the human population on the planet.” I’m sure you’ve probably seen it already but, if not, watch the trailer and click the link below and I’ll tell you why you should stop what you’re doing and watch the movie now.
On Sunday 11 May, the seventh LEEDS ZOMBIE FILM FESTIVAL takes place at the Cottage Road Cinema, Headingley. Organised as always by Dominic Brunt (director/star of the magnificent BEFORE DAWN) and his Emmerdale co-star Mark Charnock, this year they’ve put together a phenomenal selection of movies including THE BATTERY, LIFEFORCE, STALLED and WORLD WAR Z. To remind yourself what I thought of each of those movies, click the posters below.
Day tickets are £15, and are available from the Cottage Road Cinema (click here). More information can be found via Facebook and Twitter. This is a chance to see a truly fine selection of films in the company of two great hosts. I can’t make it, unfortunately, but I’m jealous as heck of everyone who’s going!
Yes I know… I’ve gone quiet on you again. That’s largely because I’m trying to get three novels finished before the end of October (see my recent update here).
I realised that I hadn’t mentioned the campaign recently started by a few of Moody’s Survivors to give Hollywood a hint and see if we can’t get the HATER movie moving forward (there are positive signs, but a little push wouldn’t hurt…). There’s a Facebook page here which I’d love for you to like and share if you feel so inclined. So the position is this: the movie rights were recently re-optioned by Mark Johnson and Guillermo del Toroet al, and J A Bayona (who was previously attached to direct) has mentioned the project a couple of times in recent interviews in connection with his excellent movie, THE IMPOSSIBLE. With THE WALKING DEAD continuing to do great business and with the WORLD WAR Z movie taking everybody by surprise and being a huge hit this summer, a lot of you seem to think – and, of course, I completely agree – that the time is right for the HATER film.
Hopefully I’ll have some more concrete news for you in the very near future. In the meantime, I thought it would be good to run a competition to keep the project in the public eye. All you have to do is design a HATER-themed T-shirt to promote either the books, the film, or the campaign to get the movie made.
Either post your design on Facebook or email it to firstname.lastname@example.org by the end of October. By that time I’ll have employed a top-notch judging panel (I’m looking at you, Survivors!) who I’ll ask to pick a winner. As well as receiving a few signed books and other odds and ends, the winner will also have their design printed up and made available for sale via the Infected Bookstore.
I wanted to talk about WORLD WAR Z for a couple of reasons. A discussion of the film follows (stick around for a half hour video review from Mr Simmons and I) but, before that, I have a more personal reason to be interested.
For a long time I’ve thought that the immediate future of the zombie sub-genre would, to a large extent, hinge on the success or failure of the WWZ movie. It’s fair to say that after all the well-documented issues with budgets and scripts and reshoots etc., I don’t think anyone expected the success the film has had, nor for a sequel to have been greenlit so rapidly. That has to be a good thing, I think, and I’m hopeful that, as a result, Hollywood will have a renewed interest in large budget, zombie-style movies. I would say that… the HATER movie rights have just been re-optioned.
As an enjoyable, effects-laden, dumb old zombie flick, WWZ certainly delivered. As an adaptation of Max Brook’s novel, however, it failed on just about every level. But does that really matter? Looking at things from my perspective, with a film adaptation of Hater on the horizon, I can see two sides. Sure I’d like a fairly literal interpretation of my original story to be filmed, but I’d also like the publicity and sales that a more commercial movie would hopefully generate. I have to accept that such publicity and sales might come at the expense of the integrity of my story. As wrong as it might sound, at this stage in my career with mouths to feed and bills to pay and many projects in the pipeline but few under contract, if I’m honest I’d have to say I’d rather take the cash. With Guillermo del Toro still attached to Hater I’m happy to take that chance of course, and regardless of how any movie turned out, my original book would still be available. It’s not like it would disappear or be replaced. Despite his understandable frustrations with the filmmakers, I’m sure Max Brooks is more than happy with the thousands and thousands of people who’ve picked up his book because of the film…
Right, back to WWZ. Rather than write a long blog post, I’ll let Wayne and I do the talking.
If you’ve not yet read the book, I’d definitely recommend it. If you have and you’ve seen the film, what were your thoughts on the movie adaptation, and what are your hopes/fears for a Hater adaptation? I’d be really interested to hear them. Let me know in the comments or on Facebook or Twitter etc.
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