THE BLEED: RUPTURE – out today

Today’s the day that the first book in THE BLEED series finally hits the shelves. It’s been a long time since MARK TUFO and CHRIS PHILBROOK invited me to play in the apocalyptic wonderland they were cooking up, and I’m very pleased to have been asked along for the ride. It’s been a blast so far, and I’m really looking forward to seeing where our merry (not really) band of characters end up.

This is an apocalypse like no other, and now we get to share it! THE BLEED: RUPTURE is out today.

The Bleed: Rupture by David Moody, Chris Philbrook and Mark Tufo

The Bleed: Filthy Halfsies

Less than a week to go until THE BLEED: RUPTURE is released. Here’s a glimpse into the third and final story strand…

When the grandfathers to the grandfathers were young, the race of gods stepped through time and space, appearing in the North. Fleeing an ancient, world-eating evil they called the Bleed, they came to build anew, in peace. Other than strange hair and eye colors, they appeared similar to normal human beings—but they were taller, stronger, and smarter, and were ripe with powers from their home world. They brought unheard of learning and experience with them; they built their Endless City from one edge of the North to the other, with its mile-high walls and towers of stone, steel and wood soaring above that. They ruled the world from afar, without war, or even effort, ever watchful for the signs of the Bleed, their unending, ever-hungry foe.

They took husbands and wives and left thousands of half-breed children behind when the enemy they fled bled through the fabric of the worlds. Deep in their city, servants of the evil ate at their new home, one bloody soul at a time. They made their stand at the edge of the world, almost a score ago, and not one god has been seen since.

Continue reading

One week until we start Bleeding

A week today will see THE BLEED: RUPTURE hitting the shelves as an AUDIBLE EXCLUSIVE as well as a paperback and ebook. I have two BLEED-related things to share with you today. First, some very kind words about book one from my good friend, CRAIG DILOUIE:

“From three of apocalyptic fiction’s most innovative authors, THE BLEED series pits humanity against an infectious, all-consuming evil in stories packed with great characters, interesting ideas, and plenty of good end-of-the-world fun.”

And here for your pleasure, because you can’t have too much of a bleeding good thing, is the cover for book 2. RAPTURE is due in March 2021.

THE BLEED: RUPTURE, written by CHRIS PHILBROOK, MARK TUFO and I is released on 14 July as an ebook, paperback, and Audible exclusive audiobook narrated by SCOTT AIELLO.

War of the Worlds

Whenever I’ve been asked to list the books that have most influenced me as a writer, WAR OF THE WORLDS by HG WELLS is up there. I’ve always been fascinated by the impact Wells’s tale must have had on readers in the late nineteenth century, who’d never before come across the idea of Earth being invaded by creatures from another planet. It’s rightly regarded as a classic of the genre, but it’s a strange book because, in terms of action, it’s quite top-heavy. What I mean by that is, the most visceral and memorable scenes are to do with the initial arrival of the aliens and their first attacks. I’m sure if you’re reading this you already know how the original novel ends: the invaders are undone by bacteria. The story starts with a bang but ends with a cough.

This unusual structure has presented problems for many filmmakers over the years, because in retelling the story, it’s almost as if you’re working backwards from the climax. Many adaptations have been unsatisfying (the less said about the recent BBC adaptation, the better… what were they thinking?).

STEVEN SPIELBERG‘s version of WAR OF THE WORLDS was released in 2005. A new 4k Blu ray edition has just hit the shelves, and I thought now would be a good time to reappraise the movie. Having just watched it again for the first time in a decade or so, I think this is just about the best film adaptation of the novel there is (having grown up with JEFF WAYNE’s musical adaptation though – which terrified me and a whole generation of kids in the late seventies with its prog rock soundtrack and iconic artwork – I have to say that’s still my favourite adaptation of all; it shouldn’t work, but it does!).

Continue reading