DOG SOLDIERS

Just prior to the second national lockdown starting here, and in the absence of many new releases, our local cinema showed a series of classic horror movies. I can’t remember if I’ve mentioned how close we live to a cinema before. It’s literally a five-minute walk from my front door, and in the eight or so years we’ve lived in this spot, it’s been a source of gainful part-time employment for three of our daughters. I love the place and have been keen to support it whenever its doors have been open during the nightmare which has been 2020. I managed to catch a couple of films, the first of which was NEIL MARSHALL’S werewolf classic, DOG SOLDIERS.

Here’s a quick synopsis from IMDB: A British Squad is sent on a training mission in the Highlands of Scotland against Special Operations squad. Ignoring the childish “campfire” stories heard about the area, they continue with their mission and come across the bloody remains of the Special Ops Squad, and a fierce howling is pitching the night sky… With two mortally wounded men, they make an escape, running into a zoologist by the name of Megan – who knows exactly what hunts them. What began as what they thought was a training mission turns into a battle for their lives against the most unlikely enemies they would have expected – werewolves.

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Voodoo Child by Wayne Simmons and Andre Duza – out now from Infected Books

It’s a retro-inspired pulp horror classic in the making! Available now. Grab a signed copy from Infected Books (click here) and get a complementary ebook version.

With back-cover blurbs from Steve Johnson (SFX genius who worked on Ghostbusters, Big Trouble in Little China, An American Werewolf in London) and Harry Manfredini (who wrote the iconic score for Friday 13th), this blood-soaked beauty of a book comes very highly recommended.

Voodoo Child is also available from Amazon and other online retailers.

An American Werewolf in London (and my regular Scream Magazine plug)

olly-mossawilThere are some films you can watch over and over and never get bored of. They’re timeless classics – as close to perfection as you can get. They’re the kind of films that make you recoil in terror whenever anyone dares mention remakes, because there’s absolutely no point. AN AMERICAN WEREWOLF IN LONDON is one of those films.

I’m taking the opportunity to write about it now because a). it’s one of my absolute favourite movies and b). it’s heavily featured in the latest edition of SCREAM magazine. I’m sure you’ve already seen it (if not, why not?), but here’s a quick summary courtesy of IMDB and a trailer (which was produced for the bluray release a few years back, and which completely fails to capture the atmosphere of this most atmospheric film). Click the link below for my thoughts.

(By the way, check out the stunning Olly Moss poster I found online. It’s a thing of beauty.)

Two American college students are on a walking tour of Britain and are attacked by a werewolf. One is killed, the other is mauled. The werewolf is killed but reverts to its human form, and the local townspeople are unwilling to acknowledge its existence. The surviving student begins to have nightmares of hunting on four feet at first but then finds that his friend and other recent victims appear to him, demanding that he commit suicide to release them from their curse, being trapped between worlds because of their unnatural deaths.

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