If you’re in need of a quick zombie movie fix this Sunday afternoon (and let’s face it, who isn’t?), can I recommend #ALIVE, a South Korean movie which is available now on Netflix. It’s nothing you haven’t seen before, but I liked it quite a lot.
As a grisly virus rampages a city, a lone man stays locked inside his apartment, digitally cut off from seeking help and desperate to find a way out.
Here’s a very long trailer (actually the first five minutes of the film):
I’m sure you know Tim. He’s a very prolific, very approachable writer whose written many original novels as well as TV and movie tie-in books (including STAR WARS, ALIEN and FIREFLY). I’d known him for a while through social media then met him in person for the first time at a horror convention in Birmingham in February last year. We were table-neighbours for a very enjoyable weekend and, as is the done thing, we book-swapped at the end of the event. He went home with a copy of HATER, and I chose THE SILENCE.
I’d long known that a film adaptation of Tim’s book was in development, and we talked quite a bit about it over the weekend. Fast-forward a few weeks and I was on holiday. I devoured THE SILENCE (and thoroughly enjoyed it) in the space of a few short hours at the poolside. I was really interested to see how the film adaptation stacked up. Jump forward in time again until April this year, and THE SILENCE appeared on NETFLIX accompanied by a huge wave of publicity.
I’ve been stung by having one of my books adapted into a less-than-satisfactory movie, and I’m always nervous for fellow writers I know when films of their works are in the pipeline. So how did THE SILENCE stack up?
When the world is under attack from terrifying creatures who hunt their human prey by sound, 16-year old Ally Andrews (Kiernan Shipka), who lost her hearing at 13, and her family seek refuge in a remote haven.
I’m very proud of the Recommendations page on this site. It’s built up over the years to be a fairly substantial list of movies I’ve watched and books I’ve read that I’ve enjoyed enough to want to publicly recommend. Of course, not every book or film fits into that category.
I’ve long been a fan of bad movies. I think if you’re even remotely interested in the art of storytelling, you can learn as much from a bad film as you can a good one. So I’ve rejigged the recommendations page to include movies which I’m happy to recommend, and those I’m not. Which brings me onto today’s film…
You might recall the time when a production company were planning to option STRAIGHT TO YOU but changed their minds at the last minute, only to release a movie a couple of years later which shared a suspiciously high number of similar scenes, themes and story beats with my book. When I started getting emails earlier this year about another movie with a not too dissimilar premise, I was concerned. I needn’t have been. Netflix’s HOW IT ENDS is nothing like STRAIGHT TO YOU. It is, however, a masterclass in how NOT to tell an apocalyptic story.
When a mysterious disaster turns the country into a war zone, a young lawyer heads west with his future father-in-law to find his pregnant fiancée.
I feel duty bound to draw your attention to CARGO, a top-notch zombie movie which premiered on Netflix this last week. I’ve had my eye on this one for a long time, primarily because of its source material. The film’s based on a stunning short movie which took the zombie-loving world by storm back in 2013. You can watch it here, and I recommend you do. No worries about spoiling the feature length version, because they’re two very different beasts as I’ll explain.
In a desperate bid to outrun a violent pandemic, Andy and Kay have holed up on a houseboat with their one-year-old daughter, Rosie. Their protected river existence is shattered by a violent attack, which sees Kay tragically die and Andy infected. Left with only 48 hours before he transforms into one of the creatures they have fought so long to evade, Andy sets out on a precarious journey to find a new guardian for his child. A flourishing Aboriginal tribe are Rosie’s best chance of survival – but with their merciless attitude toward the afflicted, they also pose a grave threat. A young Indigenous girl becomes Andy’s only chance of safe passage into this sacred community. But unfortunately the girl has no desire to return to her people – she is on a quest to cure her own infected father by returning his stolen soul. Each in their own way is seeking salvation… but they will need to work together if they hope to achieve it.