The Purge

81UGQvKFnQL._SL1500_On Saturday I wrote a piece about ESCAPE FROM NEW YORK, and it was clear from the number of comments, re-tweets etc. I received that it’s a film a lot of people have a lot of love for. The movie I want to talk about today, however, is, in my opinion, far less satisfying.

James DeMonaco’s 2013 movie THE PURGE starts with a broadly similar premise to EFNY, in that in order to try and cope with a crime rate that’s spiralled out of control, the US government is forced to try a radical new approach. This is the titular Purge – a brief period of time once each year when all criminal activity is legalised. Read the synopsis, watch the trailer, then follow the link for my brief thoughts.

In an America wracked by crime and overcrowded prisons, the government has sanctioned an annual 12-hour period in which any and all criminal activity-including murder-becomes legal. The police can’t be called. Hospitals suspend help. It’s one night when the citizenry regulates itself without thought of punishment. On this night plagued by violence and an epidemic of crime, one family wrestles with the decision of who they will become when a stranger comes knocking. When an intruder breaks into James Sandin’s (Ethan Hawke) gated community during the yearly lockdown, he begins a sequence of events that threatens to tear a family apart. Now, it is up to James, his wife, Mary (Lena Headey), and their kids to make it through the night without turning into the monsters from whom they hide.

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Escape from New York

Escape from New YorkI have a habit (and I can’t decide whether it’s a good or bad habit) of neglecting everything else when I start writing a new book. I’ve been neck-deep in the first novel in the SPACES BETWEEN series for the last few weeks and haven’t been posting here as often as I’d planned. I’ll try and put that right.

I’ve just re-watched a classic. A real blast from the past for this Post-Apocalyptic Movie Club selection, and for good reason. I’ll be referencing this film, and the film I’m going to talk about next, in a new ‘What Works For Me’ article, coming up shortly.

There are three directors I regularly cite as having had a huge impact on me during my formative years. In no particular order they are George Romero, David Cronenberg, and John Carpenter. Romero is self-explanatory: without him there’d be no Autumn. Cronenberg – well, he’s responsible for some of my very favourite horror movies… The Fly, Shivers, Rabid – need I go on? I was once told that he’d been passed a copy of Hater. Just the thought that Cronenberg’s held one of my books is something I still find hard to believe.

John Carpenter completes this weird holy trinity. His films are, I think, more accessible than those of Cronenberg and Romero, but not less influential. I’m a particular admirer of his golden period: from Assault on Precinct 13 in 1976, through to The Thing in 1982, and pretty much everything in between. During this time he made a series of consistently strong, often ground-breaking horror films.

Escape from New York (1981) is a cracking movie, one which I’m sure you’ve probably seen. If you haven’t, you’re in for a treat. Here’s the synopsis, followed by a trailer. Click the link below for my thoughts.

In the future (well, 1997 was the future back then!), crime in America has spiralled out of control. Surrounded by impenetrable defences, New York City is now a maximum security prison: once you go in, you don’t come out. When the President of the USA crash lands in Manhattan, Snake Plissken, a disgraced special ops soldier, is sent in. Plissken has twenty-four hours to find the president and get him out.

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What Works For Me – Inspiration and Ideas

My last What Works For Me article went down really well so, whether you want it or not, here are a few more words of dubious wisdom. This time: the generation, gestation and harvesting of IDEAS.

When you write, there are a number of things you inevitably get asked over and over. One of the favourites is where do you get your ideas? For me, that’s a really interesting question. The easiest answer is something glib like dreams, or they just appear out of the ether, but that’s no help when you’re sitting in front of a classroom full of kids or when you’re on a panel at an event in front of an audience that’s expecting you to say something enlightening/witty. There’s more to it than that.

My last piece talked about the process I follow to turn an idea into a book, so I thought it would be interesting to go back a stage and look at how those ideas appear in the first place and what I do to nurture and develop them. As always, this is what works for me. If it doesn’t work for you or you have alternative suggestions, let me know and I’ll put together a follow-up post.

Firstly, what do I mean by ‘idea’? It’s a pretty bland and unscientific word. I guess it would be more appropriate to talk about ‘inspiration’. I’m talking about something that stimulates you… something that makes you want to know more, that makes you ask what if…? What’s important is recognising when this inspiration strikes, and doing something about it.

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What Works For Them

I had some great responses to my post about planning last week, several from fellow authors who were keen to tell me how they do things. As I keep taking great pains to work out, the What Works For Me posts are exactly that: what works for me. I thought it would be interesting, though, to share What Works For Them. It illustrates perfectly my point that there are no ‘one size fits all’ rules to writing.

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What Works For Me – planning

In a post a couple of weeks back I said I’d answer some of the questions I’m asked regularly about writing. Today I want to talk about planning: how much planning I do and how it fits into the overall writing process. But before I start (and I can’t stress this enough) please remember that this is just how I like to do things: not the best way, maybe not the right way, but it’s what works for me.

Planning is something I’ve talked to a lot of other writers about, and it seems everyone has a different way of going about things. Some folks sit down with the barest idea and just start writing, but I know that’s the very worst thing I can do. Staring at an empty screen or a blank piece of paper brings me out in a cold sweat. It induces a kind of uneasy panic and is very rarely productive. Some folks, right at the other end of the spectrum, do a huge amount of planning before starting a project, working out every tiny detail before they write even a single word. They might plan backstories for every character, draw maps of key locations, and so on. I think I’m probably somewhere between these two extremes.

Thinking about it, though, we all must do a similar amount of planning, perhaps just at different stages of the process. We all start with the spark of an idea, with the ultimate aim of turning that idea into a finished story that someone can pick up and read.

I’ll talk about harvesting ideas in my next post (because if I had a quid for every time I get asked where the inspiration for my stories come from, I wouldn’t need to sell any books to pay the bills) so, for the purposes of today, let’s assume you’ve already got your killer idea and you know the general direction you think your story is going to take. So how do you get from that initial idea to a completed story?

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What Works For Me

I’ve already said I’m going to be much more visible in 2014, with a lot of original content planned for this site. Today I’d like to introduce a new feature: What Works For Me.

Personally, I think there’s only so much about writing that you can learn from other people. I think it’s something which can’t necessarily be taught. I also happen to think it’s not all about following hard and fast rules: if you can put a series of words and sentences together which have an impact on a reader, then you’re a writer and to hell with grammar and spelling and whatever people say you can or can’t do.

Like many others I speak to, I’m by turn foolishly arrogant and desperately insecure about my writing. I’d love to be a literary giant, but I know I’m not and never will be. I write what I write – I write what I like to read, actually – and, fortunately, enough people seem to like what I do to enable me to scrape a living from it. I try not to lose sight of how important, and how fragile, that is.

I don’t feel at all qualified to be dispensing writing advice but, at the same time, I do get asked a hell of a lot. And that’s what this is all about. I think it makes more sense for me to answer these questions publicly and hopefully discuss my approach with any interested parties, than to keep sending similar emails out to numerous individual folks as and when.

The view from my chair. And yes, the DVD of Autumn is there for a reason. I haven't watched it for a couple of years. I figured it's time for a reappraisal. Blog post coming soon...

The view from my chair. And yes, the DVD of Autumn is there for a reason. I haven’t watched it for a couple of years. I figured it’s time for a reappraisal. Blog post coming soon…

So, if you’ve got a question about writing or publishing you want my take on, fire away. Want to know how I come up with my characters, why I write the way I do, why I don’t care what caused the Hate in Hater or the infection in Autumn, want to know about the advantages and disadvantages of traditional/self-publishing as I see them, how to set up a small press, the things to look out for when you’re arranging an author event, getting to the end of your first draft, how much you should or shouldn’t plan, why I’ll never tell you what my main characters look like…? Whatever you want to know (within reason!) please ask, and I’ll try and tell you what works for me. (Important disclaimer: it won’t necessarily work for you). Either email me direct, use the contact form, or send a message via Facebook, Goodreads or Twitter.

(Polite note: please don’t ask me to read your book/short story etc. at this time, or ask me what I think of your idea… that’s not what this is about. Much as I’d love to give individual feedback, my commitments mean it’s just not possible right now. I’ve had to say no to a lot of people asking for blurbs recently, and it’s likely to stay that way throughout 2014. Sorry).